Joyce Poems And A Play

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Joyce: Poems and a Play

This selection of the major poems James Joyce published in his lifetime is accompanied by his only surviving play, Exiles. Joyce is most celebrated for his remarkable novel Ulysses, and yet he was also a highly accomplished poet. Chamber Music is his debut collection of lyrical love poems, which he intended to be set to music; in it, he enlivens the styles of the Celtic Revival with his own brand of playful irony. Pomes Penyeach, a collection written while Joyce was working on A Portrait of the Artist as a Young Man, sounds intimately autobiographical notes of passion and betrayal that would go on to resonate throughout the rest of his work. Joyce’s other poems include the moving “Ecce Puer,” written on the occasion of the birth of his grandson, and his fiery satires “The Holy Office” and “Gas from a Burner.” Exiles was written after Joyce had left Ireland, never to return; it is a richly nuanced drama that reflects a grappling with the state of his own marriage and career as he was about to embark on the writing of Ulysses. In its tale of an unconventional couple involved in a love triangle, Exiles engages Joycean themes of envy and jealousy, freedom and love, men and women, and the complicated relationship between an artist and his homeland.
Edward Lear and the Play of Poetry

Author: James Williams
language: en
Publisher: Oxford University Press
Release Date: 2016-10-28
Of all the Victorian poets, Edward Lear has a good claim to the widest audience: admired and championed by critics and poets from John Ruskin to John Ashbery, he has also been read, heard, and loved by generations of children. As a central figure in the literature of nonsense, Lear has also shaped the evolution of modern literature, and his work continues to influence and inspire writers and readers today. This collection of essays-the first ever devoted solely to Lear-builds on a recent resurgence of critical interest and asks how it is that the play of Lear's poetry continues to delight, and to challenge our sense of what poetry can be. These seventeen chapters, written by established and emerging critics of poetry, seek to explore and appreciate the playfulness embodied in the poems, and to provide contexts in which it can be better understood and enjoyed. They consider how Lear's poems play off various inheritances (the literary fool, Romantic lyric, his religious upbringing), explore particular forms in which his playful genius took flight (his letters, his queer writings about love), and trace lines of Learical influence and inheritance by showing how other poets and thinkers across the nineteenth and twentieth centuries played off Lear in their turn (Joyce, Stein, Eliot, Auden, Smith, Ashbery, and others).
Poems and Exiles

It is only James Joyce's towering genius as a novelist that has led to the comparative neglect of his poetry and sole surviving play. And yet, argues Mays in his stimulating and informative introduction, several of these works not only occupy a pivotal position in Joyce's career; they are also magnificently assured achievements in their own right. Chamber Music is 'an extraordinary début', fusing the styles of the nineties and the Irish Revival with irony and characteristic verbal exuberance. Pomes Penyeach and Exiles (highly acclaimed in Harold Pinter's 1970 staging) were written when Joyce had published Dubliners and was completing A Portrait of the Artist as a Young Man. Both confront painfully personal issues of adultery, jealousy and betrayal and so pave the way for the more detached and fully realized treatment in Ulysses. Joyce's occasional verse includes 'Ecce Puer' for his new-born grandson, juvenilia, satires, translations, limericks and a parody of Samuel Taylor Coleridge. All are brought together in this scholarly, fully annotated yet accessible new edition.