Joyce Chaos And Complexity

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Joyce, Chaos, and Complexity

Author: Thomas Jackson Rice
language: en
Publisher: University of Illinois Press
Release Date: 1997
Thomas Rice compellingly argues that James Joyce's work resists postmodernist approaches of ambiguity: Joyce never abandoned his conviction that reality exists, regardless of the human ability to represent it. Placing Joyce in his cultural context, Rice first traces the influence of Euclidean and non-Euclidean geometries on Dubliners and A Portrait of the Artist as a Young Man. He then demonstrates that, when later innovations in science transformed entire worldviews, Joyce recognized conventional literary modes of representation as offering only arbitrary constructions of this reality. Joyce responded in Ulysses by experimenting with perspective, embedding design, and affirming the existence of reality. Rice contends that Ulysses presages the multiple tensions of chaos theory; likewise, chaos theory can serve as a model for understanding Ulysses. In Finnegans Wake Joyce consummates his vision and anticipates the theories of complexity science through a dynamic approximation of reality.
Joyce, Chaos, and Complexity

Joyce, Chaos, and Complexity studies the manifold relations among twentieth-century mathematics and Science, James Joyce's fiction, and the critical reception of Joyce's work. Calling for profound reassessments, Thomas Jackson Rice compellingly argues that Joyce's work resists postmodernist approaches of ambiguity: Joyce never abandoned his conviction that reality exists, regardless of the human ability to represent it. Placing Joyce in his cultural context, Rice first provocatively traces the previously unacknowledged formative influence of Euclidean and non-Euclidean geometries on Dubliners and A Portrait of the Artist as a Young Man. He then demonstrates that, when later innovations in science transformed entire worldviews, Joyce recognized conventional literary modes of representation as offering merely arbitrary constructions of this new reality. Joyce responded to these developmeats in Ulysses by experimenting with perspective, embedding design, and affirming the existence of reality. Rice contends that Ulysses is a precursor to the multiple tensions of chaos theory; likewise, chaos theory can serve as a model for understanding Ulysses. In Finnegans Wake Joyce consummates his vision and anticipates the theories of complexity science through a dynamic approximation of reality.
Joyce and Geometry

Author: Ciaran McMorran
language: en
Publisher: University Press of Florida
Release Date: 2020-01-15
In a paradigm shift away from classical understandings of geometry, nineteenth-century mathematicians developed new systems that featured surprising concepts such as the idea that parallel lines can curve and intersect. Providing evidence to confirm much that has largely been speculation, Joyce and Geometry reveals the full extent to which the modernist writer James Joyce was influenced by the radical theories of non-Euclidean geometry. Through close readings of Ulysses, Finnegans Wake, and Joyce’s notebooks, Ciaran McMorran demonstrates that Joyce’s experiments with nonlinearity stem from a fascination with these new mathematical concepts. He highlights the maze-like patterns traced by Joyce’s characters as they wander Dublin’s streets; he explores recurring motifs such as the topography of the Earth’s curved surface and time as the fourth dimension of space; and he investigates in detail the enormous influence of Giordano Bruno, Henri Poincaré, and other writers who were critical of the Euclidean tradition. Arguing that Joyce’s obsession with measuring and mapping space throughout his works encapsulates a modern crisis between geometric and linguistic modes of representation, McMorran delves into a major theme in Joyce’s work that has not been fully explored until now. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles