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Diary of a Pint-Sized Farmer
One woman’s humorous memoir about leaving the corporate world behind for life on a northern England farm with her whole family. Ever dream of reinventing yourself and starting over? Sally Urwin did. Even though her feet don’t quite reach the tractor pedals, this city-girl-turned-shepherd found happiness and love with one husband, two kids, grumpy rams, ewes and lambs, Mavis the Sheepdog, and a very fat pony. Once employed to market the insolvency services of a large accounting firm, Sally along with her husband, Steve, now run High House Farm in Northumbria. Built around 1840, High House is a working farm where the whole family (including two children) pitches in. In a fresh and funny voice all her own, Sally tells her story of the shepherding life?which at High House also includes the sideline businesses of a tearoom, winery, and a barn for weddings. Diary of a Pint-Sized Farmer reveals the highs and lows of the shepherding life and the hard work in making a living from the land. Filled with grit and humor, eccentric animals, and local characters, this is the perfect book for anyone who has ever wondered what it’s like to pack up and find a new life on the other side of the fence. Praise for Diary of a Pint-Sized Farmer “Urwin’s account of a year on High House Farm, with its mix of arable land and 200 sheep in windswept Northumbria, is no rural idyll. But it’s full of passion for the realities of life lived knee-deep in the countryside. . . . Despite the hardships, Urwin still finds the fun in rural life.” —Daily Mail “A wonderfully honest and comic account of what life on a farm is really like.” —Living “With her witty humor and candid descriptions, it’s hard not to fall in love with Sally.” ?Countryman’s Weekly
A Popular Criminology of Youth Justice
Analysing the representation of youth crime and justice-involved children in popular fictional films, this book explores how what we see on screen contributes to the perceptions of youth justice in society, policy, and practice. Putting forward the argument that fictional representations have a real-world impact on the opportunities available to children, each chapter in the book focuses on a different genre or type of film and considers the ways in which justice-involved children have been demonised, stereotyped, and harmed by their portrayal on the big screen. From James Dean and the birth of “monstrous youth” in Rebel Without A Cause to the current, more nuanced portrayals as seen in The Young Offenders, the book examines films throughout history and across different cultures. In doing so, it demonstrates how portrayals of justice-involved children have contributed to the social understanding of what youth crime is and who is to blame for it, and highlights how we can use this knowledge to better understand and support children. By combining youth justice theory with media analysis, A Popular Criminology of Youth Justice: Youth on Film makes a novel contribution to both fields and will be of great interest to students and researchers in the areas of youth crime, youth justice, and the media.
A Return to Social Justice
Youth justice has always focused on criminal justice but this work argues that taking a social justice approach is the best way to reduce youth crime. Drawing on philosophy, new research, and practitioners’ views, a new organizational structure and approach is developed. Urwin outlines the philosophical and historical background of youth justice and clarifies how this has led to problems within current practice. Prominent debates within the field are also explored in depth, such as care vs. control, and the issue of professional identity. Ultimately, all of these factors are considered in relation to the organizational structure of youth justice, and this bold and engaging study highlights the need for a more principled approach to practice. Timely and authoritative, this book is will be of great interest to youth justice practitioners, academics, students, and those who would like to apply social justice to social institutions.