Jazz On The Line


Download Jazz On The Line PDF/ePub or read online books in Mobi eBooks. Click Download or Read Online button to get Jazz On The Line book now. This website allows unlimited access to, at the time of writing, more than 1.5 million titles, including hundreds of thousands of titles in various foreign languages.

Download

New Orleans Jazz and Second Line Drumming


New Orleans Jazz and Second Line Drumming

Author: Herlin Riley

language: en

Publisher: Alfred Music Publishing

Release Date: 1995


DOWNLOAD





This book is based on performances and transcriptions from the DCI music videos Herlin Riley: Ragtime & beyond, and Johnny Vidacovich: Street beats modern applications. Additional interviews and essays on: Baby Dodds, Vernel Fournier, Ed Blackwell, James Black and Freddie Kohlman, Smokey Johnson, David Lee, and bassist Bill Huntington.

The Jazz Bass Line Book


The Jazz Bass Line Book

Author: Mike Downes

language: en

Publisher: Alfred Music

Release Date: 2015-09


DOWNLOAD





The Jazz Bass Line Book by Mike Downes is a comprehensive approach to the construction of improvised bass lines. Intended for beginners and professionals, the book deals with playing in 2, creating walking bass lines, 3/4 time, using a "broken feel," modal and slash-chord harmony, ballads, and much more. Each chapter is full of fundamental and advanced concepts and ideas, accompanied by transcribed examples from the masters of jazz bass playing.

Jazz Religion, the Second Line, and Black New Orleans


Jazz Religion, the Second Line, and Black New Orleans

Author: Richard Brent Turner

language: en

Publisher: Indiana University Press

Release Date: 2016-10-17


DOWNLOAD





This scholarly study demonstrates “that while post-Hurricane Katrina New Orleans is changing, the vibrant traditions of jazz . . . must continue” (Journal of African American History). An examination of the musical, religious, and political landscape of black New Orleans before and after Hurricane Katrina, this revised edition looks at how these factors play out in a new millennium of global apartheid. Richard Brent Turner explores the history and contemporary significance of second lines—the group of dancers who follow the first procession of church and club members, brass bands, and grand marshals in black New Orleans’s jazz street parades. Here music and religion interplay, and Turner’s study reveals how these identities and traditions from Haiti and West and Central Africa are reinterpreted. He also describes how second line participants create their own social space and become proficient in the arts of political disguise, resistance, and performance.