James Joyce And The Act Of Reception


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James Joyce and Classical Modernism


James Joyce and Classical Modernism

Author: Leah Culligan Flack

language: en

Publisher: Bloomsbury Publishing

Release Date: 2020-02-06


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James Joyce and Classical Modernism contends that the classical world animated Joyce's defiant, innovative creativity and cannot be separated from what is now recognized as his modernist aesthetic. Responding to a long-standing critical paradigm that has viewed the classical world as a means of granting a coherent order, shape, and meaning to Joyce's modernist innovations, Leah Flack explores how and why Joyce's fiction deploys the classical as the language of the new. This study tracks Joyce's sensitive, on-going readings of classical literature from his earliest work at the turn of the twentieth century through to the appearance of Ulysses in 1922, the watershed year of high modernist writing. In these decades, Joyce read ancient and modern literature alongside one another to develop what Flack calls his classical modernist aesthetic, which treats the classical tradition as an ally to modernist innovation. This aesthetic first comes to full fruition in Ulysses, which self-consciously deploys the classical tradition to defend stylistic experimentation as a way to resist static, paralyzing notions of the past. Analysing Joyce's work through his career from his early essays, Flack ends by considering the rich afterlives of Joyce's classical modernist project, with particular attention to contemporary works by Alison Bechdel and Maya Lang.

James Joyce and the Act of Reception


James Joyce and the Act of Reception

Author: John Nash

language: en

Publisher: Cambridge University Press

Release Date: 2006-11-02


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James Joyce and the Act of Reception is a detailed account of Joyce's own engagement with the reception of his work. It shows how Joyce's writing, from the earliest fiction to Finnegans Wake, addresses the social conditions of reading (particularly in Ireland). Most notably, it echoes and transforms the responses of some of Joyce's actual readers, from family and friends to key figures such as Eglinton and Yeats. This study argues that the famous 'unreadable' quality of Joyce's writing is a crucial feature of its historical significance. Not only does Joyce engage with the cultural contexts in which he was read but, by inscribing versions of his own contemporary reception within his writing, he determines that his later readers read through the responses of earlier ones. In its focus on the local and contemporary act of reception, Joyce's work is seen to challenge critical accounts of both modernism and deconstruction.

James Joyce and the Nineteenth-Century French Novel


James Joyce and the Nineteenth-Century French Novel

Author: Finn Fordham

language: en

Publisher: Rodopi

Release Date: 2011-03


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The essays of this volume show how Joyce’s work engaged with the many upheavals and revolutions within the French nineteenth-century novel and its contexts. They delve into the complexities of this engagement, tracing its twists and turns, and reemerge with fascinating and rich discoveries. The contributors explore Joyce’s explicit and implicit responses to Alexandre Dumas, Honoré de Balzac, Victor Hugo and Émile Zola and, of course, Flaubert. Drawing from the wide range of Joyce’s writings - Dubliners, A Portrait., Ulysses, Finnegans Wake, and his life, letters, and essays - they resituate Joyce’s relation to France, the novel, and the nineteenth century.