James Clifford Partial Truths Summary
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Luke’s Christology of Divine Identity
Author: Nina Henrichs-Tarasenkova
language: en
Publisher: Bloomsbury Publishing
Release Date: 2015-11-19
Henrichs-Tarasenkova argues against a long tradition of scholars about how best to represent Luke's Christology. When read against the backdrop of ancient ways of constructing personal identity, key texts in the Lukan narrative demonstrate that Luke indirectly characterizes Jesus as the one God of Israel together with YHWH. Henrichs-Tarasenkova employs a narrative approach that takes into consideration recent studies of narrative and history and enables her to construct characters of YHWH and Jesus within the Lukan narrative. She employs Richard Bauckham's concept of divine identity that she evaluates against her study of how one might speak of personal identity in the Greco-Roman world. She engages in close reading of key texts to demonstrate how Luke speaks of YHWH as God in order to demonstrate that Luke-Acts upholds a traditional Jewish view that only the God of Israel is the one living God and to eliminate false expectations for how Luke should speak of Jesus as God. This analysis establishes how Luke binds Jesus' identity to the divine identity of YHWH and concludes that the Lukan narrative, in fact, does portray Jesus as God when it shows that Jesus shares YHWH's divine identity.
Interpreting Culture
Author: Joseph D. Lewandowski
language: en
Publisher: U of Nebraska Press
Release Date: 2001-01-01
Scholars have conducted the study of culture in two general ways: as an observer science, where behavior and world-views are measurable, rational, and subject to impartial examination; and as an interpretive art, where a scholar actually participates in the understanding of cultures. In view of increasingly manifest problems with both stances, Joseph D. Lewandowski proposes an alternative, one that capitalizes on the strengths of both schools of interpretation and in fact underpins the work of major social theorists of the modern era, including Adorno, Foucault, and Bourdieu. Gathering insights from a wide array of anthropologists, archaeologists, and philosophers and applying them to case studies in the United States, Lewandowski develops a practical model of culture and method of interpretation that are built around the concept of "constructing constellations." According to this concept?drawn from the work of Simmel, Kracauer, Benjamin, and Adorno?cultures are made up of social fields, embedded social practices that are continually created and patterned in certain ways, akin to constellations. The constellations of embedded actions and beliefs in different settings, such as ghetto life in New York or the world of boxing in Chicago, are, Lewandowski argues, observable, measurable, and ultimately comparable.
Towards an Understanding of Kurdistani Memory Culture
This book presents a thorough analysis of the Kurdistan Region of Iraq’s memory culture, focusing particularly on commemorations and representations of the Anfal and Halabja atrocities. The author employs a transdisciplinary approach that draws on Memory Studies, Postcolonial Studies, Heritage Studies, Kurdish Studies, Literary Studies and Trauma Studies, to analyze cultural objects such as Kurdistani literary novels, museums, and school curricula. The book introduces two key concepts: the "phantomic museum" and the "apostrophic museum." The former explores the fragile and politicized nature of memories of missing individuals who disappeared during Saddam Hussein's genocidal campaigns and who have never been found, primarily as they return in the Halabja Monument and Peace Museum. The latter examines how the addressing – apostrophizing – of Kurdistan, in and by the Amna Suraka museum in the city of Sulaymaniyah, institutionalizes “official” and highly politicized versions of the past.