Jacques Ranciere An Introduction


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Jacques Ranciere: An Introduction


Jacques Ranciere: An Introduction

Author: Joseph J. Tanke

language: en

Publisher: A&C Black

Release Date: 2011-04-28


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Jacques Rancière: An Introduction offers the first comprehensive introduction to the thought of one of today's most important and influential theorists. Joseph Tanke situates Rancière's distinctive approach against the backdrop of Continental philosophy and extends his insights into current discussions of art and politics. Tanke explains how Rancière's ideas allow us to understand art as having a deeper social role than is customarily assigned to it, as well as how political opposition can be revitalized. The book presents Rancière's body of work as a coherent whole, tracing key notions such as the distribution of the sensible, the aesthetics of politics, and the supposition of equality from his earliest writings through to his most recent interventions. Tanke concludes with a series of critical questions for Rancière's work, indicating how contemporary thought might proceed after its encounter with him. The book provides readers new to Rancière with a clear overview of his enormous intellectual output. Engaging with many un-translated and unpublished sources, the book will also be of interest to Rancière's long-time readers.

Jacques Ranciere: An Introduction


Jacques Ranciere: An Introduction

Author: Joseph J. Tanke

language: en

Publisher: A&C Black

Release Date: 2011-06-30


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The first comprehensive introduction to one of the most influential French thinkers writing today, exploring Rancière's ideas on philosophy, aesthetics and politics.

The Politics of Aesthetics


The Politics of Aesthetics

Author: Jacques Ranciere

language: en

Publisher: A&C Black

Release Date: 2006-06-23


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Aiming to rethink the relation between art and politics, this title seeks to reclaim aesthetics from its contemporary narrow confines to reveal its significance for contemporary experience. It ranges across art and politics, the uses and abuses of modernity, the role of visual technologies, and the relationship between history and fiction.