Jacques Baudoin


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The Pietà in French Late Gothic Sculpture


The Pietà in French Late Gothic Sculpture

Author: William H. Forsyth

language: en

Publisher: Metropolitan Museum of Art

Release Date: 1995


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The image of the Virgin Mary holding the dead body of Christ in her lap caught the popular imagination in Europe in the 15th and 16th centuries. Forsyth, Curator Emeritus of Medieval Art at The Metropolitan Museum, surveys 167 Pieta sculptures, examining the image's rise, spread, and significance and focusing on the intriguingly diverse depictions of the Virgin's emotional state, as well as other distinctive regional variations. In addition, written sources of the Pieta image and its references in mystical writings are discussed. A catalogue provides summary information about some 1,250 Pietas. Includes 200 bandw illustrations and five maps. Annotation copyright by Book News, Inc., Portland, OR

Gender Bias and the State


Gender Bias and the State

Author: Amy G. Mazur

language: en

Publisher: University of Pittsburgh Pre

Release Date: 2010-11-23


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This is the first systematic study of French policy regarding equal employment for women. Mazur asks why policy makers choose to make symbolic reforms. Is there a certain set of conditions particularly conducive to the formation of symbolic reform? If symbolic reforms are meant to do nothing, why do governments allocate limited resources to them? Mazur examines five legislative proposals, dating from 1967 to 1982, three of which resulted in legislation: the 1972 Equal Pay Law. the 1975 Equal Treatment Law, and the 1983 Egalite Professionelle Law. These five case studies reveal the continuity over three decades of "symbolic" reform, reform that does not solve the problem it was designed to address.

Lateness and Modernity in Medieval Architecture


Lateness and Modernity in Medieval Architecture

Author:

language: en

Publisher: BRILL

Release Date: 2023-05-08


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How have the concepts of “lateness” and “modernity” inflected the study of medieval and early modern architecture? This volume seeks to (re)situate monuments from the 14th—16th centuries that are indebted to medieval building practices and designs within the more established narratives of art and architectural history. Drawing on case studies from Cyprus to the Dominican Republic, the book explores historiographical, methodological, and theoretical concerns related to the study of medieval architecture, bringing to the fore the meanings and functions of the Gothic in specific contexts of use and display. The development of local styles relative to competing traditions, and instances of coexistence and hybridization, are considered in relation to workshop practices and design theory, the role of ornament, the circulation of people and knowledge, spatial experiences, as well as notions of old and new. Contributors are: Jakub Adamski, Flaminia Bardati, Costanza Beltrami, Robert Bork, Jana Gajdošová, Maile S. Hutterer, Jacqueline Jung, Alice Klima, Abby McGehee, Paul Niell, Michalis Olympios, Zachary Stewart, Alice Isabella Sullivan, Kyle G. Sweeney, and Marek Walczak.