It S Complicated Soundtrack Songs

Robert Altman's Soundtracks

American director Robert Altman (1925-2006) first came to national attention with the surprise blockbuster M*A*S*H (1970), and he directed more than thirty feature films in the subsequent decades. Critics and scholars have noted that music is central to Altman's films, and in addition to his feature films, Altman worked in theater, opera, and the emerging field of cable television. His treatment of sound is a hallmark of his films, alongside overlapping dialogue, improvisation, and large ensemble casts. Several of his best-known films integrate musical performances into the central plot, including Nashville (1975), Popeye (1980), Short Cuts (1993), Kansas City (1996), The Company (2003) and A Prairie Home Companion (2006), his final film. Even such non-musicals as McCabe and Mrs. Miller (1971) have been described as, in fellow director and protégé Paul Thomas Anderson's evocative phrase, as "musicals without people singing." Robert Altman's Soundtracks considers Altman's celebrated, innovative uses of music and sound in several of his most acclaimed and lesser-known works. In so doing, these case studies serve as a window not only into Altman's considerable and varied output, but also the changing film industry over nearly four decades, from the heyday of the New Hollywood in the late 1960s through the "Indiewood" boom of the 1990s and its bust in the early 2000s. As its frame, the book considers the continuing attractions of auteurism inside and outside of scholarly discourse, by considering Altman's career in terms of the director's own self-promotion as a visionary and artist; the film industry's promotion of Altman the auteur; the emphasis on Altman's individual style, including his use of music, by the director, critics, scholars, and within the industry; and the processes, tensions, and boundaries of collaboration.

Robbie and Gary

Robbie Williams and Gary Barlow - together and apart, these two men have dominated the charts for the best part of twenty years. And it is their fractured 'bromance' that has shaped the history of one of the world's most successful bands. Based on years of in-depth research, this authoritative biography uncovers the truth about their tortured relationship. It reveals why sixteen-year-old Robbie idolised the older and more talented Gary when, as unknowns, they were put together in the newly formed Take That. We see how the stresses brought on by fame and money destroyed their fragile friendship and resulted in Robbie trying to take Gary's position as front man. We also discover how far they'd go to hurt each other during a feud that lasted fifteen years and continued to shape their solo careers. Explaining why the two men finally reconciled in 2010, and analysing how their reunion is coping with the stresses of touring once more, Robbie and Gary offers a unique insight into the lives of these much loved stars.

The Hollywood Reporter