Is Jaws 2 The Same Shark
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Shark
A sleek hunter of the seas, the shark has struck fear into the hearts of men since the days of the first fishermen. Dean Crawford now explores here the long relationship between shark and man, revealing that behind the fearsome caricature is a complex animal that deserves a thoughtful reconsideration. With a lineage stretching back over 100 million years, the shark has evolved into 350 different species, from the great white to the pike-bearing goblin to the tiny cookie-cutter. Crawford compiles here a fascinating narrative that analyzes how and why the animal looms large in our cultural psyche. While sharks have played a prominent part in religion and mythology, they are more commonly perceived as deadly predators—in such films as Jaws and Dr. No—or as symbols of natural violence, as in Hemingway’s Islands in the Stream. Shark ultimately argues, however, that our ill-informed emotional responses, spurred by such representations, have encouraged the wholesale slaughter of sharks—and our ignorance endangers the very existence of the shark today. Both a celebration of their lethal beauty and plea for their conservation, Shark urges us to shed our fears and appreciate the magnificence of this majestic animal.
Cycles, Sequels, Spin-offs, Remakes, and Reboots
Author: Amanda Ann Klein
language: en
Publisher: University of Texas Press
Release Date: 2016-03-15
With sequels, prequels, remakes, spin-offs, or copies of successful films or franchises dominating film and television production, it sometimes seems as if Hollywood is incapable of making an original film or TV show. These textual pluralities or multiplicities—while loved by fans who flock to them in droves—tend to be dismissed by critics and scholars as markers of the death of high culture. Cycles, Sequels, Spin-offs, Remakes, and Reboots takes the opposite view, surveying a wide range of international media multiplicities for the first time to elucidate their importance for audiences, industrial practices, and popular culture. The essays in this volume offer a broad picture of the ways in which cinema and television have used multiplicities to streamline the production process, and to capitalize on and exploit viewer interest in previously successful and/or sensational story properties. An impressive lineup of established and emerging scholars talk seriously about forms of multiplicity that are rarely discussed as such, including direct-to-DVD films made in Nigeria, cross-cultural Japanese horror remakes, YouTube fan-generated trailer mash-ups, and 1970s animal revenge films. They show how considering the particular bonds that tie texts to one another allows us to understand more about the audiences for these texts and why they crave a version of the same story (or character or subject) over and over again. These findings demonstrate that, far from being lowbrow art, multiplicities are actually doing important cultural work that is very worthy of serious study.
Reeled In: Pre-existing Music in Narrative Film
How and why is pre-existing music used in films? What effects can its use have on films and their audiences? And what lasting impact can appropriation have on the music? Reeled In is a comprehensive exploration of these questions, considering the cinematic quotation of Beethoven symphonies, Beatles songs, and Herrmann scores alike in films ranging from the early sound era to the present day, and in every role from ‘main title theme’ to ‘music playing in bar’. Incorporating a discussion of such factors as copyright and commerce alongside examination of texts and their effects, this broad study is a significant contribution to the scholarship on music in screen media, demonstrating that pre-existing music possesses unique attributes that can affect both how filmmakers construct their works and how audiences receive them, to an extent regardless of the music’s style, genre, and so on. This book also situates the reception of music by film, and by audiences experiencing that music through film, as significant processes within present-day culture, while more generally providing an illuminating case study of the kinds of borrowings, adaptations, and reinventions that characterize much of today’s art and entertainment.