Irty Weekend
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Transgressing Women
Author: Jamaluddin Aziz
language: en
Publisher: Cambridge Scholars Publishing
Release Date: 2012-01-17
Transgressing Women focuses on the literary and cinematic representation of female characters in contemporary noir thrillers. The book argues that as the genre has grown, expanded and been subverted since its initial conception, along with the changing definition of gender, the representation of a female character has also inevitably gone through some dramatic changes. So, the book asks some important questions: What links the female characters in canonical noir to their contemporary counterparts? Is gender division still relevant in a text that transgresses gender boundaries? What happens when it is the human body itself that betrays the traditional definition or constitution of a human being? While many have written about the male protagonists and the femmes fatales in the noir genre, little attention has been given to the ‘other’ female characters who inhabit the noir world and are transgressors themselves. The main concern of the book is to trace the transgressive female characters in contemporary noir thrillers – both novels and films – by engaging itself with some of the most topical debates within both (post)feminist and postmodernist theories. The book is structured around two key concepts – space and the body. These temporal and spatial indicators are central in contemporary cultural theories such as postmodernism and post-feminism, along with other theorizations of gender and the noir genre. This means that the analysis is drawn from the classical noir examples and will then arrive at the neo-noir sub-genre, and then will move on to the most recent phenomenon in the genre, ‘future noir’.
Introducing Bakhtin
The Russian critic and theorist Mikhail Bakhtin is once again in favor, his influence spreading across many discourses including literature, film, cultural and gender studies. This book provides the most comprehensive introduction to Bakhtin’s central concepts and terms. Sue Vice illustrates what is meant by such ideas as carnival, the grotesque body, dialogism and heteroglossia. These concepts are then placed in a contemporary context by drawing out the implications of Bakhtin’s writings, for current issues such as feminism and sexuality. Vice’s examples are always practically based on specific texts such as the film Thelma and Louise, Helen Zahavi’s Dirty Weekend and James Kelman's How late it was, how late.
Namaste Motherf*ckers
'What an absolute book this is!' - Dawn French 'This book is the perfect guide to show you how to live life to the max' - Fearne Cotton 'Do I want a Cally Beaton rebrand? Hell yeah.' - Sally Phillips 'This is the best writing by Mrs Beaton since that cookbook' - Sandi Toksvig Part memoir, part stereotype-defying manifesto, Namaste Motherf*ckers is a funny, empowering, practical book that takes an irreverent look at the author's own story of radical midlife reinvention - taking her from meetings in the boardroom to becoming a stand-up comedian - thanks to a chance conversation with the late, great Joan Rivers encouraging her to make change happen. Sharing stories and experiences from her career, alongside lessons learned from the many celebrities and experts that have guested on her hit podcast of the same name, Cally challenges at every turn the age-old narrative that women become invisible when they cease to be fertile. It's also a book about defying the bullsh*t expectation that midlife women at best maintain (looks, career, relationships), at worst decline. With ambitious thinking and personal development takeouts from her time as a coach, Cally debunks many of the myths surrounding the female of the species and gives a fresh, funny and life-affirming look at what it means to be a middle-aged woman who is willing to take a chance, put herself out there and who is also willing to fail.