Irty Dragging
Download Irty Dragging PDF/ePub or read online books in Mobi eBooks. Click Download or Read Online button to get Irty Dragging book now. This website allows unlimited access to, at the time of writing, more than 1.5 million titles, including hundreds of thousands of titles in various foreign languages.
Dirty Dragging
In Dirty Dragging , Evelyn Annuß reformulates queer theorizations of drag, exploring the ambivalence of transgressive performances under apartheid, Nazism, and Jim Crow through a transoceanic lens. Taking up the ambivalence of “dirty” performance modes spanning drag and carnival to propaganda, she extends readings of gender bending by incorporating perspectives on blackface and “racialized drag.” She thereby explores violent, locally specific mobilizations of the transgressive along with the ways in which queer and creolized forms of performance intertwine to oppose identitarian boundaries. Given the current slide into right-wing authoritarianism, the book thus gestures toward the potential joy of collectively making societal conditions dance.
Facing Drag
»Facing Drag« brings together international experts from cultural studies – including history, media, theatre, dance, and performance studies – to explore how gender, race, and ethnicity are impersonated across time and cultures. Drawing on diverse case studies, the volume examines performative acts of crossing, appropriation, and re-signification, foregrounding their political, ethical, and aesthetic dimensions. Expanding the concept of drag beyond gender bending, it investigates the interrelations of drag, processes of racialization and colonial histories. The essays offer critical insights into both the subversive potential of drag and its entanglement with violent forms of Othering and exclusion.
Dirty Dragging
In Dirty Dragging , Evelyn Annuß reformulates queer theorizations of drag, exploring the ambivalence of transgressive performances under apartheid, Nazism, and Jim Crow through a transoceanic lens. Taking up the ambivalence of “dirty” performance modes spanning drag and carnival to propaganda, she extends readings of gender bending by incorporating perspectives on blackface and “racialized drag.” She thereby explores violent, locally specific mobilizations of the transgressive along with the ways in which queer and creolized forms of performance intertwine to oppose identitarian boundaries. Given the current slide into right-wing authoritarianism, the book thus gestures toward the potential joy of collectively making societal conditions dance.