Introduction To Medio Translatology

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Introduction to Medio-Translatology

This book offers a comprehensive introduction to medio-translatology, including its historical and literary setting, its core concept, and its practice and theory. Medio-translatology, inspired by scholarship in comparative literature and the “cultural turn” in Western translation studies, has tackled many issues which previously went unnoticed or were ignored in traditional translation studies in China; it falls within the scope of literary studies and cultural studies, extending beyond the confines of language and treating literary translations and translating as historical facts. Emerging from comparative literature, medio-translatology looks at literary translation from a new and broader perspective, and explains, with illustrative and compelling examples, that literary translation is “an act of creative treason.” The originality of this approach is also evident in its distinguishing between the history of translated literature and the history of literary translation, as well as in its addressing the nature and status of translated literature. The Chinese edition of this book, being the first of its kind and well received in China, has been hailed as a milestone in exploring translation studies in the context of comparative literature in Chinese academia, and it introduces to students and researchers alike a wide range of new thoughts and ideas.
Medio-translatology

This book introduces the theory of Medio-translatology. Proposed by Professor Tianzhen Xie, Medio-translatology combines comparative literature with translation studies. It has been influential in Chinese Translation Studies since its emergence in the 1990s and has since generated a myriad of heated discussions and productive applications of the theory in the analysis of translation both as an activity and a product. With ten chapters authored by leading scholars in this area, this book explicates the development and the main theoretical tenets of Medio-translatology in the first part and demonstrates the application of the theory with a number of case analysis of translations by different translators in the second part. As the first and only edited book on Medio-translatology written in English, this volume will also provide a useful window on contemporary translation studies in China.
Positionalities of Translation Studies

Author: Garda Elsherif
language: en
Publisher: Bloomsbury Publishing
Release Date: 2025-06-12
This volume explores historical, cultural, linguistic, and anthropocentric influences on Translation Studies (TS). It brings together nuanced, individual, self-reflexive case studies and juxtaposes them in order to provoke discussion on the role of contemporary researchers in the discipline of TS. As well as reflecting on the historical and geographical dimensions of the situatedness of TS, the book builds on existing reflections on the local, political and linguistic positions of TS and examines the practical and methodological consequences of these discussions. By considering insights and perspectives from various disciplines, the contributors refer to the current state of the art in TS and reconstruct the discussions held on Eurocentrism, anthropocentrism and the historicity of TS that have been discussed in isolation so far. This volume maps potential relations between them and introduces an analytical concept of positionality that highlights commonalities among various discourses. As well as theoretical and historical analysis, the contributors ask how to methodologically deal with this inevitable positioning of research in contemporary research practice. The contributions cover various aspects of positionalities and its influences on translation research, including gender, anthropocentrism, experiential knowledge and geopolitics. They also explore various histories of translation studies, in different temporal, spatial and linguistic settings, such as China/Chinese, Iran/Persian, the Netherlands/English, Ukraine/Ukrainian/Russian and France/French, thereby highlighting that TS as a discipline is not a monolith but consists of various histories interconnected with each other.