Intonation In Text And Discourse
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Intonation in Text and Discourse
It is clear that a printed text provides the reader with more information than the words alone. This includes punctuation marks, capitalisation, paragraphs, headings and sub-headings, all of which help the reader to understand how the words are organised into sentences, and sentences are organised into a coherent text. In a spoken text, this typographical information is necessarily absent. So how do readers and speakers provide equivalent information to the listener? Intonation in Text and Discourse describes the way in which speech melody, or intonation, is used to signal the structure of spoken texts. It examines the role of intonation in clarifying the relationship between successive utterances, from close cohesive ties ('middles') to major breaks for a new topic ('ends' and 'beginnings'). The book is concerned chiefly with the intonational structuring of read or prepared monologue, but also devotes a chapter to current developments in the analysis of intonation in conversation. It describes not only how intonation is used to organise systematic turn-taking but also how it can signal greater or lesser degrees of co-operativeness. It addresses finally the complex issue of attitudinal intonation - the elusive 'tone of voice'. The first book on discourse intonation to deal with such a wide variety of naturally-occurring spoken data, Intonation in Text and Discourse will be of great interest to students, lecturers and researchers of intonation and all aspects of spoken discourse.
Intonation
Author: A. Botinis
language: en
Publisher: Springer Science & Business Media
Release Date: 2000-11-30
The volume Intonation: Analysis, Modelling and Technology covers the main aspects of intonation, written by international researchers in the field. Following the Introduction, fourteen chapters are organised into five thematic sections: Overview of Intonation, Prominence and Focus, Boundaries and Discourse, Intonation Modelling and Intonation Technology. Each chapter is basically autonomous within a thematic section, but the subject of several chapters extends over more than one thematic section. The combination of a wide range of research areas, as well as interdisciplinary approaches in the study of intonation, makes this volume a unique contribution to the international scientific community. Basic knowledge of Intonation and Prosody is assumed in the context of linguistic and computational backgrounds. Readers may range from students of advanced undergraduate to postgraduate and research levels as well as individual researchers within a variety of disciplines such as Experimental Phonetics, General and Computational Linguistics, Computer Science, and Speech-Language Engineering.
Intonation and Its Uses
Author: Dwight Bolinger
language: en
Publisher: Stanford University Press
Release Date: 1989
This is the second and concluding volume of the author's magnum opus on intonation, the summation of over forty years of investigation and reflection. The first volume, Intonation and Its Parts: Melody in Spoken English, was published in 1986. Intonation, or speech melody, refers to the rise and fall of the pitch of the voice in speech; it has intimate ties to facial expression and bodily gesture, and conveys, underneath it all, emotions and attitudes. Most of the first volume was devoted to explaining the basic nature, variety, and untility of intonation, using, as in the present volume, hundreds of examples from everyday English speech, presented much in the manner of musical notation. The present volume looks at how intonation varies among speakers and societies in terms of age, sex and region; how it interacts with grammar; and how it has been invoked to explain certain questions of logic. The discussion of variation shows the degree to which intonation can be conventionalized and yet embody a universal core of feelings and attitudes, renewed with each generation. The remainder of the book demonstrates that no explanation of those apparently more arbitrary phenomena with which intonation interacts is adequate if it ignores that emotive undercurrent. In examining recent proposals for a defining relationship between intonation and grammar or logic, the author shows that such relationships are inferential and based on attitudinal meanings. For example, a given intonation does not mean 'factuality', but rather 'speaker confidence', from which factuality is inferred. In general, the author shows intonation operating independently in its own sphere, but as nevertheless indispensable to interpreting other more arbitrary parts of language.