Intolerable Cruelty Ending
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Happy Endings in Hollywood Cinema
Author: James MacDowell
language: en
Publisher: Edinburgh University Press
Release Date: 2013-07-22
"e;Hollywood 'happy ending' has long been considered among the most famous and standardised features in the whole of narrative filmmaking. Yet, while ceaselessly invoked, this notorious device has received barely any detailed attention from the field of film studies. This book is thus the first in-depth examination of one of the most overused and under-analysed concepts in discussions of popular cinema. What exactly is the 'happy ending'? Is it simply a cliche, as commonly supposed? Why has it earned such an unenviable reputation? What does it, or can it, mean? Concentrating especially on conclusions featuring an ultimate romantic union - the final couple - this wide-ranging investigation probes traditional associations between the 'happy ending' and homogeneity, closure, 'unrealism', and ideological conservatism, testing widespread assumptions against the evidence offered by a range of classical and contemporary films. "e;
Apropos of Nothing
Everything you wanted to know about the Lacanian critique of deconstruction, but were afraid to ask the Coen Brothers. The Coen Brothers films are rife with figures of absence. In The Big Lebowski, the Dude does nothing. He is put on the trail of a kidnapping that never happened, and solves the crime when he realizes that he paid the ransom with a ringer for a ringer. The Hudsucker Proxy features a dupe who draws zeros throughout the film, enthusiastically proclaiming, You know, for the kids! Barton Fink is a film that revolves around the absence of a film. In Apropos of Nothing, Clark Buckner appeals to these and other figures of the void in the Coen Brothers films in order to articulate the close proximity and ultimate opposition between Lacanian psychoanalysis and Derridean deconstruction. In the process, he situates both theories in relationship to Heideggers existential phenomenology, and undertakes a comparative analysis of the negativity in death, language, drive, anxiety, visual perception, paternity, and the unconscious. Formulating one of the most theoretically rigorous readings of the Coens oeuvre to date, Buckner also offers a readable overview of some central debates in late twentieth-century continental philosophy.
Apprenticeship In England, 1600-1914
First published in 1996. A social history of the changing fortunes of apprentices and the system of apprenticeship over three centuries of English history.