Internet Archive Six Million Dollar Man 1973 1978
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The Oxford Handbook of Sound and Imagination
In this two-volume Handbook, contributors address the tendency to discuss musical imagination through terms like compositional creativity or performance technique, correcting the current bias towards visual imagination to instead highlight the many forms of sonic and musical imagination.
The Oxford Handbook of Sound and Imagination, Volume 2
Author: Mark Grimshaw-Aagaard
language: en
Publisher: Oxford University Press
Release Date: 2019-07-26
Whether social, cultural, or individual, the act of imagination always derives from a pre-existing context. For example, we can conjure an alien's scream from previously heard wildlife recordings or mentally rehearse a piece of music while waiting for a train. This process is no less true for the role of imagination in sonic events and artifacts. Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games.
The Past Has Another Pattern
In his long and multifaceted career as a diplomat, international lawyer, and statesman, George W. Ball has been at the center of many crises. His book is filled with candid portraits of major figures on the world stage, as well as keen and controversial insights into past and present international problems.