Innovation In Music Cultures And Contexts
Download Innovation In Music Cultures And Contexts PDF/ePub or read online books in Mobi eBooks. Click Download or Read Online button to get Innovation In Music Cultures And Contexts book now. This website allows unlimited access to, at the time of writing, more than 1.5 million titles, including hundreds of thousands of titles in various foreign languages.
Innovation in Music: Cultures and Contexts
Innovation in Music: Cultures and Contexts is a groundbreaking collection bringing together contributions from instructors, researchers, and professionals. Split into two sections, covering creative production practices and national/international perspectives, this volume offers truly global outlooks on ever-evolving practices. Including chapters on Dolby Atmos, the history of distortion, creativity in the pandemic, and remote music collaboration, this is recommended reading for professionals, students, and researchers looking for global insights into the fields of music production, music business, and music technology.
Proceedings of the 2024 International Conference on Humanities, Arts, Education and Social Development (HAESD 2024)
This is an open access book. 2024 International Conference on Humanities, Arts, Education and Social Development (HAESD 2024) will be held from September 27 to 29, 2024 in Xi'an, China. 2024 International Conference on Humanities, Arts, Education and Social Development (HAESD 2024) is a leading conference for all researchers from different countries and territories to present their research results about Humanities, Arts, Education and Social Development.
Music Glocalization
Author: David Hebert
language: en
Publisher: Cambridge Scholars Publishing
Release Date: 2018-06-11
This unique edited volume offers a distinctive theoretical perspective and advanced insights into how music is impacted by the interaction of global forces with local conditions. As the first major book to apply the timely notion of “glocality” to music, this collection features robust scholarship on genres and practices from many corners of the world: from studies of European opera professions and the oeuvre of several contemporary art music composers, to music in Uzbekistan and Indonesia, urban street musicians, and even the didjeridoo. The authors interrogate theories of glocalization, distinguishing this notion from globalization and other more familiar concepts, and demonstrate how its application illuminates the mechanisms that link changing musical practices and technologies with their social milieu. This incisive book is relevant to scholars of many different specializations, particularly those with a deep interest in relationships between music and society, both past and present. More broadly, its discussions will be of value to those concerned with how changing policies and technologies impact cultural heritage and the creative approaches of performing artists worldwide.