Indestructible Object

Indestructible Object

“Beautifully messy and real.” —Amy Spalding, bestselling author of We Used to Be Friends Perfect for fans of What If It’s Us and Mary H. K. Choi, this stunning coming-of-age novel from Printz Honor author Mary McCoy follows a Memphis teen whose quest to uncover the secrets of love reveals new truths about herself. For the past two years, Lee has been laser-focused on two things: her job as a sound tech at a local coffee shop and her podcast Artists in Love, which she cohosts with her boyfriend Vincent. Until he breaks up with her on the air right after graduation. When their unexpected split, the loss of her job, and her parent’s announcement that they’re separating coincide, Lee’s plans, her art, and her life are thrown into turmoil. Searching for a new purpose, Lee recruits her old friend Max and new friend Risa to produce a podcast called Objects of Destruction, where they investigate whether love actually exists at all. But the deeper they get into the love stories around them, the more Lee realizes that she’s the one who’s been holding love at arm’s length. And when she starts to fall for Risa, she finds she’ll have to be more honest with herself and the people in her life to create a new love story of her own. Funny, romantic, and heartfelt, this is a story about secrets, lies, friendship, found family, an expired passport, a hidden VHS tape, fried pickles, the weird and wild city of Memphis, and, most of all, love.

Magical Objects

Remaking the Readymade

Replication and originality are central concepts in the artistic oeuvres of Marcel Duchamp and Man Ray. Remaking the Readymade reveals the underlying and previously unexplored processes and rationales for the collaboration between Duchamp, Man Ray, and Arturo Schwarz on the replication of readymades and objects. The 1964 editioned replicas of the readymades sent shock waves through the art world. Even though the replicas undermined ideas of authorship and problematized the notion of identity and the artist, they paradoxically shared in the aura of the originals, becoming stand-ins for the readymades. Scholar-poet-dealer Arturo Schwarz played a crucial role, opening the door to joint or alternate authorship—an outstanding relationship between artist and dealer. By unearthing previously unpublished correspondence and documentary materials and combining this material with newly conducted exclusive interviews with key participants, Remaking the Readymade details heretofore unrevealed aspects of the technical processes involved in the (re)creation of iconic, long-lost Dada objects. Launched on the heels of the centenary of Duchamp’s Fountain, this new analysis intensifies and complicates our understanding of Duchamp and Man Ray’ initial conceptions, and raises questions about replication and authorship that will stimulate significant debate about the legacy of the artists, the continuing significance of their works, and the meaning of terms such as creativity, originality, and value in the formation of art.