In Theory Darling
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In Theory, Darling
A love letter to queer of color theory and how it has helped the author to discover himself, reclaim identities, celebrate queer joy, and work towards liberation Marcos Gonsalez found his greatest source of joy when he encountered queer theory in college. As they put it, "queers and college go together like peanut butter and jelly," and for them, this was especially true. Seeing himself reflected in the work José Esteban Muñoz was life-changing: Muñoz's theory of disidentification empowered Gonsalez to reclaim their Latinx and queer identities--and inspired him to push back against the largely-white monolith of queer theory. In the sophisticated yet intimately disarming prose of In Theory, Darling, Gonsalez takes his copy of Disidentifications to the gay bar, to the classroom, to their childhome and beyond, inviting us to go along with him as he limns the queerness of reality TV, mourns the victims of the Pulse nightclub massacre, searches for their uncle in Paris Is Burning, looks for Muñoz's legacy in the streets of New York, and situates themself in the lineage of the queer elders who have come before him. Conversational yet deeply analytical, intimate yet wide-ranging, youthful yet sophisticated, Gonsalez's essays crackle with intellectual energy--and remind us just how life-giving theory can be.
Differential Forms and Connections
Author: R. W. R. Darling
language: en
Publisher: Cambridge University Press
Release Date: 1994-09-22
Introducing the tools of modern differential geometry--exterior calculus, manifolds, vector bundles, connections--this textbook covers both classical surface theory, the modern theory of connections, and curvature. With no knowledge of topology assumed, the only prerequisites are multivariate calculus and linear algebra.
Guilty But Insane
Guilty But Insane takes an historical approach to golden age detective fiction by Margery Allingham, Christianna Brand, Agatha Christie, Dorothy L. Sayers, and Gladys Mitchell. It examines how writers and readers of detective fiction during the 1920s to 1940s understood guilt, responsibility, and the workings of the mind as they related to the commission, the investigation, and the punishment of crime. Under the lens of psychology, the detective novel is revealed as a site for the negotiation of competing interpretations of sanity and insanity. An unexplored depth and subtlety is revealed in detective novels that address major controversies in legal and psychiatric theory and practice, while significant resonances with specific concerns of modernist fiction come into focus for the first time. During the interwar years, proponents of competing psychological schools challenged legal concepts of responsibility and free will. In response, golden age writers began to reflect on the genre's promise to accomplish true and just solutions in a social order in which the relationship between law and justice was being problematized on several fronts. By making connections between high modernism and popular culture, and by tracing the impact of psychological discourses across a range of different cultural outputs, this book makes a persuasive case for reading detective fiction historically. It aims to demonstrate the richness of these texts and their value for scholarship, not only as historical documents or residues of discourse, but as literary texts which challenge, subvert, toy with and test the prevailing values and prejudices of interwar Britain.