In The Mirror Of Memory
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In the Mirror of Memory
This book studies the diverse array of species of memory in Buddhism. Contributors focus on a particular school, group of texts, terms, or practices and identify a considerable range of types of mnemonic faculties in Buddhism. Included are discussions of Buddhist teaching, meditation, visualization, prayer, commemoration of the Buddha, dha?rani practice, the use of mnemonic lists to condense lengthy scriptures, and the purported recollection of infinite previous lives that immediately preceded Sakyamuni's attainment of Buddhahood. Even enlightened awareness itself is said by some Buddhist schools to consist in a "mnemic engagement" with reality as such. The authors explore Buddhist views on mundane acts of memory such as recognizing, reminding, memorizing, and storing data as well as special types of memory that are cultivated in religious practice.One of the most striking discoveries is that perception is intimately related to certain types of memory. Several essays investigate if, and if so, how, meditative mindfulness and recollection of the past--both of which can be designated by the term smrti--are connected within the Buddhist tradition. The question of whether recollection of the past can be explained without violating the foundational Buddhist notions of radical impermanence and no-self is addressed by several of the contributing scholars. Among the primary sources for the studies in this volume are the northern and southern Abhidharma literature, the Ma?tka?s, Pa?li and Maha?ya?na su?tras, works of the Buddhist logicians, Yoga?ca?ra materials, the Tibetan Great Perfection (Rdzogschen) tradition, and Indian and Tibetan commentarial works. Affinities of Buddhist views on memory with those found in Western phenomenology, semiology, psychology, and history of religions are considered as well.
The Face
In Time Code of a Face, bestselling author Ruth Ozeki recounts, in moment-to-moment detail, a profound encounter with memory and the mirror. The author challenges herself to spend three hours staring into her own reflection, recording her thoughts, and noticing every possible detail. Those solitary hours open up a lifetime's worth of meditations on race, age, family, death, the body, self doubt and, finally, acceptance. In a lyrical essay suffused with her Zen Buddhist practice and thoroughly unlike anything in the author's celebrated novels, Ozeki shows us just how rich and intimate the terrain of one's own face can be. Praise for Ruth Ozeki “Ozeki is one of my favorite novelists....bewitching, intelligent, hilarious, and heartbreaking, often on the same page.” —Junot Díaz, Pulitzer Prize winner and author of This Is How You Lose Her “Ozeki joins the constellation of such environmentally aware writers as Barbara Kingsolver, Annie Proulx, and Margaret Atwood.” —Chicago Tribune “A careful, considerate writer.” —Booklist Ruth Ozeki is a novelist, filmmaker, and Zen Buddhist priest. Her first two novels, My Year of Meats (1998) and All Over Creation (2003), have been translated into eleven languages and published in fourteen countries. Her most recent work, A Tale for the Time-Being (2013), won the LA Times book prize, was shortlisted for the Man Booker Prize and the National Book Critic's Circle Award, and has been published in over thirty countries. Ruth's documentary and dramatic independent films, including Halving the Bones, have been shown on PBS, at the Sundance Film Festival, and at colleges and universities across the country. A longtime Buddhist practitioner, Ruth was ordained in 2010 and is affiliated with the Brooklyn Zen Center and the Everyday Zen Foundation. She lives in British Columbia and New York City, and is currently the Elizabeth Drew Professor of Creative Writing at Smith College.
The Memory Police
Finalist for the International Booker Prize and the National Book Award A haunting Orwellian novel about the terrors of state surveillance, from the acclaimed author of The Housekeeper and the Professor. On an unnamed island, objects are disappearing: first hats, then ribbons, birds, roses. . . . Most of the inhabitants are oblivious to these changes, while those few able to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten. When a young writer discovers that her editor is in danger, she concocts a plan to hide him beneath her f loorboards, and together they cling to her writing as the last way of preserving the past. Powerful and provocative, The Memory Police is a stunning novel about the trauma of loss. ONE OF THE BEST BOOKS OF THE YEAR THE NEW YORK TIMES * THE WASHINGTON POST * TIME * CHICAGO TRIBUNE * THE GUARDIAN * ESQUIRE * THE DALLAS MORNING NEWS * FINANCIAL TIMES * LIBRARY JOURNAL * THE A.V. CLUB * KIRKUS REVIEWS * LITERARY HUB American Book Award winner