In Praise Of Forgetting

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In Praise of Forgetting

The conventional wisdom about historical memory is summed up in George Santayana’s celebrated phrase, “Those who cannot remember the past are condemned to repeat it.” Today, the consensus that it is moral to remember, immoral to forget, is nearly absolute. And yet is this right? David Rieff, an independent writer who has reported on bloody conflicts in Africa, the Balkans, and Central Asia, insists that things are not so simple. He poses hard questions about whether remembrance ever truly has, or indeed ever could, “inoculate” the present against repeating the crimes of the past. He argues that rubbing raw historical wounds—whether self-inflicted or imposed by outside forces—neither remedies injustice nor confers reconciliation. If he is right, then historical memory is not a moral imperative but rather a moral option—sometimes called for, sometimes not. Collective remembrance can be toxic. Sometimes, Rieff concludes, it may be more moral to forget. Ranging widely across some of the defining conflicts of modern times—the Irish Troubles and the Easter Uprising of 1916, the white settlement of Australia, the American Civil War, the Balkan wars, the Holocaust, and 9/11—Rieff presents a pellucid examination of the uses and abuses of historical memory. His contentious, brilliant, and elegant essay is an indispensable work of moral philosophy.
Ways of Forgetting, Ways of Remembering

Historian John W. Dower’s celebrated investigations into modern Japanese history, World War II, and U.S.–Japanese relations have earned him critical accolades and numerous honors, including the Pulitzer Prize, the National Book Award, and the Bancroft Prize. Now Dower returns to the major themes of his groundbreaking work, examining American and Japanese perceptions of key moments in their shared history. Both provocative and probing, Ways of Forgetting, Ways of Remembering delves into a range of subjects, including the complex role of racism on both sides of the Pacific War, the sophistication of Japanese wartime propaganda, the ways in which the nuclear bombing of Hiroshima and Nagasaki is remembered in Japan, and the story of how the postwar study of Japan in the United States and the West was influenced by Cold War politics. Ways of Forgetting, Ways of Remembering offers urgent insights by one of our greatest interpreters of the past into how citizens of democracy should deal with their history and, as Dower writes, “the need to constantly ask what is not being asked.”
The Book of Laughter and Forgetting

'A masterpiece' (Salman Rushdie) by the author of modern classic The Unbearable Lightness of Being. 'It took the temperature of the age as no other book did. It was the great novel of the end of European Communism: a novel of ideas and eroticism, the surreal and the naturalistic.' Howard Jacobson 'One is torn between profound pleasure in the novel's execution and wonder at the pain that inspired it.' Ian McEwan One freezing day in 1948, Klement Gottwald addresses Prague, wearing his comrade Clementis' fur cap - and Communist Czechoslovakia is born. But after being hanged for treason, Clementis is airbrushed out of propaganda photographs. All that remains is a bare wall, and his cap. So begins an unforgettable voyage through seven narratives, interspersed with luminous meditations on politics, philosophy, music and history. A dissident seeks his first lover - now a Party loyalist - to persuade her to return his romantic letters. A married couple manages their ménage-à-trois as Mother moves in. A clandestine horoscope writer is questioned. An émigré widow struggles to reconstruct memories of her late husband, before finding herself on an island of children. A butcher's wife embarks on an affair with a poetic student. And one man prepares to cross the border . . . What readers are saying: 'Kundera embrace politics, sex, philosophy and history, with a seen-it-all cynicism that nevertheless manages to be fascinating and even uplifting ... It was addictive and fun, sexy and cool, easy to read, and made me feel brighter, switched on, and more alive.' 'You must read this novel. Can't tell you about it, you just have to do it yourself. Its bonkers-brilliant! Phantasmagoric originality like this comes very seldom in a reader's so-sweet life.' 'Kundera's unique writing style comes as a revelation ... This holds a special place in my reading history as the one book that I instantly began re-reading as soon as I finished it.' 'Absolutely enchanted me. It's such an unique novel. It speaks of so many things, from communism and regimes to love and art. For me personally, it is a perfect book.' 'I am not going to spoil the story here, but while the story is not supernatural in any way, it takes on a fantastical flavor, full of mysteries and strange emotions ... It is obvious that Kundera has thought a lot about life, about the meaning of life, and lets the reader in on his secrets.' 'Such a unique writer, Kundera! What a way he has to shine the brightest light on the deepest corners of human psyche.'