In A Thousand Different Ways Plot
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Between the Lines
In this charming companion novel to Off the Page, #1 New York Times bestselling authors Jodi Picoult and her daughter and cowriter, Samantha van Leer, present a novel filled with romance, adventure, and humour in a story you'll never forget. What happens when happily ever after...isn't? Delilah is a bit of a loner who prefers spending her time in the school library with her head in a book--one book in particular. Between the Lines may be a fairy tale, but it feels real. Prince Oliver is brave, adventurous, and loving. He really speaks to Delilah. And then one day Oliver actually speaks to her. Turns out, Oliver is more than a one-dimensional storybook prince. He's a restless teen who feels trapped by his literary existence and hates that his entire life is predetermined. He's sure there's more for him out there in the real world, and Delilah might just be his key to freedom. A romantic and charming story, this companion novel to Off the Page will make every reader believe in the fantastical power of fairy tales.
If You Could See Me Now
Tender, magical and captivating – a story of family, friends, and the unlikeliest of romances from the No. 1 bestselling author, Cecelia Ahern.
The Money Plot
Author: Frederick Kaufman
language: en
Publisher: Other Press, LLC
Release Date: 2020-11-24
Half fable, half manifesto, this brilliant new take on the ancient concept of cash lays bare its unparalleled capacity to empower and enthrall us. Frederick Kaufman tackles the complex history of money, beginning with the earliest myths and wrapping up with Wall Street’s byzantine present-day doings. Along the way, he exposes a set of allegorical plots, stock characters, and stereotypical metaphors that have long been linked with money and commercial culture, from Melanesian trading rituals to the dogma of Medieval churchmen faced with global commerce, the rationales of Mercantilism and colonial expansion, and the U.S. dollar’s 1971 unpinning from gold. The Money Plot offers a tool to see through the haze of modern banking and finance, demonstrating that the standard reasons given for economic inequality—the Neoliberal gospel of market forces—are, like dollars, euros, and yuan, contingent upon structures people have designed. It shines a light on the one percent’s efforts to contain a money culture that benefits them within boundaries they themselves are increasingly setting. And Kaufman warns that if we cannot recognize what is going on, we run the risk of becoming pawns and shells ourselves, of becoming characters in someone else’s plot, of becoming other people’s money.