Imeless Spring

Wonderland (EasyRead Super Large 20pt Edition)

Wonderland

Written in the non-traditional, humorous, and slightly irreverent tone of books like Sit Down and Shut Up, and Dharma Punxs, Wonderlandis a highly original riff on Alice in Wonderland, using the classic story as a jumping off point for conveying the Zen concept of ‘One Mind’. Daniel Silberberg’s first book is a unique contribution to contemporary American Zen, which honors its historic roots and yet strikes out into fresh areas. It presents a lively mix of tone and quotation and levels of discourse, from citing Timeless Spring or the Diamond Sutra to Kill Bill and ketchup. With stories from his own life as well as from the larger cultural swirl around him, Daniel Silberberg reflects on the differences between how we perceive the world around us and the way it actually is. Daniel Silberberg’s take on a variety of Buddhist ideas and concepts are immediately useful and relevant. The reader will find that it addresses directly some of the issues they are dealing with in their own practice. The author’s insights and experiences come from his experience leading a large Zen community and from his almost thirty years of Zen Training in the lineage of the highly revered teachers Genpo Roshi and Maezumi Roshi.

Chinese Films in Focus II

Chinese cinema continues to go from strength to strength. After art-house hits like Chen Kaige's Yellow Earth (1984) and Wong Kar-wai's In the Mood for Love (2000), the Oscar-winning success of Ang Lee's Crouching Tiger Hidden Dragon (2000) disproved the old myth that subtitled films could not succeed at the multiplex. Chinese Films in Focus II updates and expands the original Chinese Films in Focus: 25 New Takes with fourteen brand new essays, to offer thirty-four fresh and insightful readings of key individual films. The new edition addresses films from mainland China, Taiwan, Hong Kong and other parts of the Chinese diaspora and the historical coverage ranges from the 1930s to the present. The essays, by leading authorities on Chinese cinema as well as up-and-coming scholars, are concise, accessible, rich, and on the cutting edge of current research. Each contributor outlines existing writing and presents an original perspective on the film, making this volume a rich resource for classroom use, scholarly research and general reading for anyone wanting to understand more about the historical development and rich variety of Chinese cinema. Contributors: Annette Aw, Chris Berry, Yomi Braester, Felicia Chan, Esther Cheung, Robert Chi, Rey Chow, Mary Farquhar, Carolyn FitzGerald, Ping Fu, Kristine Harris, Margaret Hillenbrand, Brian Hu, Tan See Kam, Haiyan Lee, Vivian Lee, Helen Hok-Sze Leung, David Leiwei Li, Song Hwee Lim, Kam Louie, Fran Martin, Jason McGrath, Corrado Neri, Jonathan Noble, Beremoce Reynaud, Cui Shuqin, Julian Stringer, Janice Tong, Yiman Wang, Faye Hui Xiao, Gang Gary Xu, Audrey Yue, Yingjin Zhang, John Zou The Editor: Chris Berry is Professor of Film and Television at Goldsmiths, University of London.