Imagining The World Into Existence
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Imagining the World into Existence
Reveals the secret language and words of power that enabled the ancient Egyptians to imagine the world into existence • Reveals ancient Egyptian Mystery teachings on immaculate conception, transubstantiation, resurrection, and eternal life • Explores the shamanic journeys that ancient Egyptian priests used to view the unconscious and the afterlife • Provides the essential spiritual tools needed to return to Zep Tepi, the creative source Drawing from the Egyptian Book of the Dead, the Pyramid texts, the Book of Thoth, and other sacred hieroglyphic writings spanning the three millennia of the Egyptian Mystery Traditions, Normandi Ellis reveals the magical language of creation and words of power that enabled the ancient Egyptians to act as co-creators with the gods. Examining the power of hieroglyphic thinking--how thoughts create reality--and the multiple meanings behind every word of power, the author shows how, with the Neteru, we imagine the world into existence, casting a spell of consciousness over the material world. Uncovering the deep layers of meaning and symbol within the myths of the Egyptian gods and goddesses, Ellis investigates the shamanic journeys that ancient Egyptian priests used to view the unconscious and the afterlife and shares their initiations for immaculate conception, transubstantiation, resurrection, and eternal life—initiations that later became part of the Christian mystery school. Revealing the words of power used by these ancient priests/sorcerers, she explains how to search for the deeper, hidden truths beneath their spells and shows how ancient Egyptian consciousness holds the secret of life itself. Revealing the initiatory secrets of the Osirian Mystery school, Ellis provides the essential teachings and shamanic tools needed to return to Zep Tepi--the creative source--as we face the transitional time of radical change currently at hand.
Ontology, Identity, and Modality
Author: Peter van Inwagen
language: en
Publisher: Cambridge University Press
Release Date: 2001-03-22
This book gathers together thirteen of Peter van Inwagen's essays on metaphysics, several of which have acquired the status of modern classics in their field. They range widely across such topics as Quine's philosophy of quantification, the ontology of fiction, the part-whole relation, the theory of 'temporal parts', and human knowledge of modal truths. In addition, van Inwagen considers the question as to whether the psychological continuity theory of personal identity is compatible with materialism, and defends the thesis that possible states of affairs are abstract objects, in opposition to David Lewis's 'extreme modal realism'. A specially-written introduction completes the collection, which will be an invaluable resource for anyone interested in metaphysics.
Death
No one who reads this book will ever again think of his or her own death in the same way. The first part of the book consists of a thought-provoking essay, in which Fingarette examines the metaphors which mislead us: death as parting, death as sleep, immortality as the denial of death, and selflessness as a kind of consolation. He also thinks through some of the more illuminating metaphors: death as the end of the world for me, death as the conclusion of a story, life as ceremony, and life as a tourist visit to earth. The author offers no facile consolation, but he identifies the true root of fear of death, and explains how the meaning of death can be reconceived. The second part comprises writings on death by other philosophers including classic selections from the Bhagavad Gita, Arthur Schopenhauer, Sigmund Freud, Chuang Tzu, David Hume, Albert Camus, Blaise Pascal, Leo Tolstoy, Eugene Ionesco, Marcus Aurelius, Michel de Montaigne, and Bertrand Russell. "An excellent treatment that invites the reader in to share a warm meal of healthy contemplation." —Brian Bruya Philosophy Editor, amazon.com "This book's questions are at one and the same time philosophical and personal. . . . A diversity of philosophical insights are harvested during the reflective, critical work which makes up Fingarette's extended essay. . . the style is direct, what it expresses is expressed clearly and with simplicity, and what comes through it is the author's seriousness and humility." —Ilham Dilman University of Wales, Swansea