Imagining The Divine
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Re-imagining the Divine
Religious feminism is at an impasse. Those offering new images and metaphors for the divine have been hit with a backlash - along with charges of heresy, idolatry, and self-aggrandizement. Laurel Schneider's provocative solution is to investigate just how the plethora of divine images are indeed disclosive of divinity. In place of a strict monotheism, she constructs a monistic polytheism, arguing persuasively that this approach solves more problems than trinitarianism does.
She Who Changes
Author: Carol P. Christ
language: en
Publisher: Palgrave Macmillan
Release Date: 2003-07-18
It was only recently that people began to refer to God, occasionally, as “she.” Is it now possible to re-imagine divine power as a female force deeply related to the changing world? If so, then we can understand the deeper meaning of female images of divine power including depictions such as “The Goddess.” Carol Christ offers a new look at these female images of God in She Who Changes. She shows how many traditional ideas about divine power reject the female body and connection to the natural world. She looks at the work of female theologians in Judaism, Christianity, and various religions that worship "The Goddess" to explore the way in which they are re-imagining both divine and human power as embodied both in a changing world and deeply related to all beings.
Imagining the Divine
This groundbreaking volume brings together scholars of the art and archaeology of late antiquity (c. 200−1000), across cultures and regions reaching from India to Iberia, to discuss how objects can inform our understanding of religions. During this period major transformations are visible in the production of religious art and in the relationships between people and objects in religious contexts across the ancient world. These shifts in behavior and formalizing of iconographies are visible in art associated with numerous religious traditions including, but not limited to, Buddhism, Christianity, Hinduism, Islam, Judaism, Zoroastrianism, religions of the Roman Empire, and paganism in northern Europe. Studies of these religions and their material culture, however, have been shaped by Eurocentric and post-Reformation Christian frameworks that prioritized Scripture and minimized the capacity of images and objects to hold religious content. Despite recent steps to incorporate objects, much academic discourse, especially in comparative religion, remains stubbornly textual. This volume therefore seeks to explore the ramifications of placing objects first and foremost in the comparative study of religions in late antiquity, and to consider the potential for interdisciplinary conversation to reinvigorate the field.