Images And Shadows
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Images and Shadows
The lucidly written memoir of Iris Origo, the writer of the bestselling War in Val d'Orcia It has only been through my affections that I have been able to perceive, however imperfectly, some faint "intimations of immortality" Images and Shadows is the story of those affections: for a loving, shy father, who died when his daughter was very young; for a vital, headstrong mother; for friends and family, alive and dead. And for the places Origo lived: Ireland, America, England; the childhood home in the hills above Florence; and her own beloved La Foce - the desolate, deforested estate which she and her Italian husband bought, and into which they poured the energy and patience of their best years. Iris Origo (1902-1988) is best known as a biographer and war diarist. But in Images and Shadows she writes with characteristic grace, wit and humility, almost reluctantly, about herself. Reissued with newly discovered photographs, it is both a moving insight into a lost age, and an illumination of the life and loves of an endlessly curious and thoughtful woman. Iris Origo (1902-1988) was a British-born biographer and writer. She lived in Italy and devoted much of her life to the improvement of the Tuscan estate at La Foce, which she purchased with her husband in the 1920s. During the Second World War, she sheltered refugee children and assisted many escaped Allied prisoners of war and partisans in defiance of Italy's fascist regime and Nazi occupation forces. Pushkin Press also publishes her bestselling war diary, War in Val d'Orcia, as well as two of her biographies, A Study in Solitude: The Life of Leopardi - Poet, Romantic and Radical and The Last Attachment: The Story of Byron and Teresa Guiccioli.
Shadows and Images
This is the story of a Protestant young woman and her journey to the Roman Catholic Church. The fascinating novel is set in nineteenth-century England-a time when Catholicism was regarded with suspicion and prejudice against Catholics was commonplace. Leaving her sheltered life in the countryside, young Clem becomes acquainted with the fascinating ideas and people of Oxford-including a brilliant young clergyman, John Henry Newman. But when her relationship to a Roman Catholic man with a colorful reputation leads to an Italian elopement that is more innocent than it appears, the scandal drives a wedge between Clem and the upright Anglican circle of friends and family she left behind. Woven into the story of Clem and Augustine, their courtship and marriage, and Clem's conversion, is the vital, influential, and holy Newman, as seen through the eyes of friends. Meriol Trevor's engaging plot charts the ongoing friendship between Newman and the couple as it spans many years during which pivotal historical influences, such as the Industrial Revolution and the Oxford Movement, are shaping Victorian England. Many important events, personages, and ideas in the life of Newman appear in the story-his reasons for becoming a Roman Catholic, his differences with Cardinal Manning, his work in the Birmingham Oratory, and his being made a cardinal by Pope Leo XIII. The author, a renowned biographer of Newman, used Newman's actual correspondence as the basis for his parts in the dialogue.
Computer Vision - ECCV 2002
Premiering in 1990 in Antibes, France, the European Conference on Computer Vision, ECCV, has been held biennially at venues all around Europe. These conferences have been very successful, making ECCV a major event to the computer vision community. ECCV 2002 was the seventh in the series. The privilege of organizing it was shared by three universities: The IT University of Copenhagen, the University of Copenhagen, and Lund University, with the conference venue in Copenhagen. These universities lie ̈ geographically close in the vivid Oresund region, which lies partly in Denmark and partly in Sweden, with the newly built bridge (opened summer 2000) crossing the sound that formerly divided the countries. We are very happy to report that this year’s conference attracted more papers than ever before, with around 600 submissions. Still, together with the conference board, we decided to keep the tradition of holding ECCV as a single track conference. Each paper was anonymously refereed by three different reviewers. For the nal selection, for the rst time for ECCV, a system with area chairs was used. These met with the program chairsinLundfortwodaysinFebruary2002toselectwhatbecame45oralpresentations and 181 posters.Also at this meeting the selection was made without knowledge of the authors’identity.