Image Event
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The Image Mission
Author: James L. Burch
language: en
Publisher: Springer Science & Business Media
Release Date: 2012-12-06
IMAGE (Imager for Magnetopause-to-Aurora Global Exploration) is the first NASA MIDEX mission and the first mission dedicated to imaging the Earth's magnetosphere. This volume offers detailed descriptions of the IMAGE instrumentation and of the image inversion techniques used to interpret the data. Also included are chapters on the IMAGE science objectives, the spacecraft design and capabilities, science and mission operations, and the processing and distribution of IMAGE's nonproprietary data products.
Image Photograph
We no longer live in the society of the spectacle, passively seeing the world. Now we perform our very own spectacle in a society that demands it at every turn. We've become advertisements of ourselves, our own PR agents, continually putting on a performance and measuring it hour by hour. This is no longer the society of the spectacle but the society of performance. All events have become a pretense to create the image, to orchestrate an image of images that is us. We believe the image confers on us a kind of immortality: just as the artist believes her works collected by a major museum will do the same, we believe the network will forever host the archive we build everyday. The image that is us lives in the circulation of the network. Though a file, though virtual and malleable, made out of bits and instantly accessible to anyone who wants to find it around the world, this image that lives only lives on screen, as virtual as it might be, is a material fact. In its impression, its reception, its archivability, its remixability, the electronic image is today's photograph.At once artist book and critical theory, Image Photograph takes its direction from Walter Benjamin's Arcades, John Berger's Ways of Seeing and, more recently, Hito Steyerl's The Wretched of the Screen. Throughout it, Lafia not only writes about the image but constructs images ? and, finally, performs this new space of the image-photograph.
Image Politics
This exceptional volume examines “image events” as a rhetorical tactic utilized by environmental activists. Author Kevin Michael DeLuca analyzes widely televised environmentalist actions in depth to illustrate how the image event fulfills fundamental rhetorical functions in constructing and transforming identities, discourses, communities, cultures, and world views. Image Politics also exhibits how such events create opportunities for a politics that does not rely on centralized leadership or universal metanarratives. The book presents a rhetoric of the visual for our mediated age as it illuminates new political possibilities currently enacted by radical environmental groups. Chapters in the volume cover key areas of environmental activism such as: *The rhetoric of social movements; *Imaging social movements; *Environmental justice groups; and *Participatory democracy. This book is of interest to scholars and students of rhetorical theory, media and communication theory, visual theory, environmental studies, social change movements, and political theory. It will also appeal to others interested in ecology, radical environmental politics, and activism, and is an excellent supplemental text in advanced undergraduate and graduate level courses in these areas.