Il Monte Dei Paschi Di Siena E Le Aziende In Esso Riunite
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History of the Principal Public Banks
Author: International Committee for the Study of the History of Banking and Credit
language: en
Publisher: Psychology Press
Release Date: 1964
First Published in 1964. Routledge is an imprint of Taylor & Francis, an informa company.
Ezra Pound in Context
Author: Ira B. Nadel
language: en
Publisher: Cambridge University Press
Release Date: 2010-11-11
Long at the centre of the modernist project, from editing Eliot's The Waste Land to publishing Joyce, Pound has also been a provocateur and instigator of new movements, while initiating a new poetics. This is the first volume to summarize and analyze the multiple contexts of Pound's work, underlining the magnitude of his contribution and drawing on new archival, textual and theoretical studies. Pound's political and economic ideas also receive attention. With its concentration on the contexts of history, sociology, aesthetics and politics, the volume will provide a portrait of Pound's unusually international reach: an American-born, modern poet absorbing the cultures of England, France, Italy and China. These essays situate Pound in the social and material realities of his time and will be invaluable for students and scholars of Pound and modernism.
Ezra Pound in the Present
Author: Paul Stasi
language: en
Publisher: Bloomsbury Publishing USA
Release Date: 2016-10-06
Was Ezra Pound the first theorist of world literature? Or did he inaugurate a form of comparative literature that could save the discipline from its untimely demise? Would he have welcomed the 2008 financial crisis? What might he say about America's economic dependence on China? Would he have been appalled at the rise of the “digital humanities,” or found it amenable to his own quasi-social scientific views about the role of literature in society? What, if anything, would he find to value in today's economic and aesthetic discourses? Ezra Pound in the Present collects new essays by prominent scholars of modernist poetics to engage the relevance of Pound's work for our times, testing whether his literature was, as he hoped it would be, “news that stays news.”