Il Mondo Di Francesco Savio
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The Passion of Pier Paolo Pasolini
. . . a keen and brilliant critical account of Pasolini's films and writings . . . --Italica Rohdie's personal, idiosyncratic critical style is backed up by serious scholarly research, as the rich bibliography attests. This is one of the most original recent additions to the ever-growing literature on Pasolini. --Choice . . . refreshingly personal and full of unpredictable tangents. --Film Quarterly Sam Rohdie has written a personal, wonderfully lucid account of Pier Paolo Pasolini's cinema and literature.
Italian Crime Films, 1968-1980, 2d ed.
After the decline of the Spaghetti Western, crime films were the most popular, profitable and controversial genre in 1970s Italy. The product of a country plagued with violence, political tensions and armed struggle, these films managed to capture and convey the widespread anxiety and anger in their tales of tough cops, ruthless criminals, and urban paranoia. Recent years have seen a renewed critical interest in the genre, thanks also to such illustrious fans as Quentin Tarantino, and the rise to cult status to the works of filmmakers such as Fernando Di Leo, Umberto Lenzi, and Enzo G. Castellari. This book includes all the crime films produced in Italy between 1968 and 1980, the period when the genre spawned and reached its peak. With over 230 entries, it's the most complete English language book on the subject. This second edition has been thoroughly revised by the author, with the addition of new entries and relevant information, plus a newly designed appendix on Eurocrime co-productions.
Elio Petri
Elio Petri (1929-1982) was one of the most commercially successful and critically revered Italian directors ever. A cultured intellectual and a politically committed filmmaker, Petri made award-winning movies that touched controversial social, religious, and political themes, such as the Mafia in We Still Kill the Old Way (1967), police brutality in Investigation of a Citizen Above Suspicion (1970), and workers' struggles in Lulu the Tool (1971). His work also explored genre in a thought-provoking and refreshing manner with a taste for irony and the grotesque: among his best works are the science fiction satire The 10th Victim (1965), the ghost story A Quiet Place in the Country (1968), and the grotesque giallo Todo modo (1976). This book examines Elio Petri's life and career, and places his work within the social and political context of postwar Italian culture, politics, and cinema. It includes a detailed production history and critical analysis of each of his films, plenty of never-before-seen bits of information recovered from the Italian ministerial archives, and an in-depth discussion of the director's unfilmed projects.