If We Were A Movie Episode

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Conversations with My Agent (And Set Up, Joke, Set Up, Joke)

Barely out of film school, Rob Long struck the jackpot and landed a job on the phenomenally successful TV sitcom, Cheers. However, with the demise of the show, Long was faced with the question, 'Is there life after Cheers?' Mercilessly witty about the daunting process of setting up a new series and getting it on air, these two books tell the absurd tale of what came next. Getting from pitch to pilot is a tricky path to navigate successfully, from making non-negotiable changes and deal-breaking edits, combined with accommodating the whims of studios, networks and agents, often the finished product ends up a long way from where the script-writer started. With the help of his agent, her constant demands, monstrous salesmanship, brutal irony and unswerving loyalty, Long's career fluctuates from wannabe to player, from award-winning script-writer to burnt out has-been. And it's all, as he says 'half true'.
So You Want to Direct TV?

Becoming a TV director is nothing like other professions. There is no road map. Traditionally, the only way to break in was through access to a powerful mentor to show you the way, but today creative people with a drive to direct are finding their own ways into the industry. In this book of interviews, working TV directors show you exactly how they did it. No two stories are exactly alike. These deeply personal interviews with a racially and culturally diverse range of eight women and eight men are candid and full of practical insights. For the first time in the 100-plus year history of the entertainment industry there are increasing opportunities to rise into the director's chair. This book reflects the hope and promise of a new era. Open the cover and discover the mentor you deserve.
Inside The Writers' Room

Author: Christina Kallas
language: en
Publisher: Bloomsbury Publishing
Release Date: 2013-12-13
Television drama has come to rival cinema in its sophisticated narrative form and high production values. At the heart of this success is the television writer, and TV has become the home of some of the most exciting and high quality writing. In a series of original interviews, showrunners and writers from some of the biggest American TV dramas of recent years share their experiences and practices of the 'writers' room', on shows such as The Sopranos, The Wire, Mad Men and Game of Thrones. Christina Kallas frames these insider insights with an astute overview of the writer's instrumental role in the rise of sophisticated TV narrative, and concluding reflections which will be invaluable to writers, critics and fans alike.