Icons Of The Middle Ages

Icons of the Middle Ages

From Thomas Becket to Charlemagne, from Leif Erickson to Count Dracula, this series of biographical essays separates truth from legend as it explores the lives of some of the most accomplished and influential figures of medieval history. Drawing on the latest research, Icons of the Middle Ages: Rulers, Writers, Rebels, and Saints examines the lives of some of the most remarkable personalities of the Medieval Era—powerful, ruthless, compassionate, brilliant people who remain widely influential today. Each portrait in this extraordinary gallery sets its subject in the context of their world, revealing what we really know about their lives, their iconic status in their own times, and their lasting legacies in our time. Readers will encounter fascinating individuals devoted to the pursuit of power (Richard III), to freedom (Robert the Bruce), to philosophy and religion (Maimonides; Thomas More), and to the arts (Dante; Hildegard of Bingen). Additional chapters explore life in the medieval castle and the advent of siege warfare—two defining developments in the Middle Ages.

Globalism in the Middle Ages and the Early Modern Age

Although it is fashionable among modernists to claim that globalism emerged only since ca. 1800, the opposite can well be documented through careful comparative and transdisciplinary studies, as this volume demonstrates, offering a wide range of innovative perspectives on often neglected literary, philosophical, historical, or medical documents. Texts, images, ideas, knowledge, and objects migrated throughout the world already in the pre-modern world, even if the quantitative level compared to the modern world might have been different. In fact, by means of translations and trade, for instance, global connections were established and maintained over the centuries. Archetypal motifs developed in many literatures indicate how much pre-modern people actually shared. But we also discover hard-core facts of global economic exchange, import of exotic medicine, and, on another level, intensive intellectual debates on religious issues. Literary evidence serves best to expose the extent to which contacts with people in foreign countries were imaginable, often desirable, and at times feared, of course. The pre-modern world was much more on the move and reached out to distant lands out of curiosity, economic interests, and political and military concerns. Diplomats crisscrossed the continents, and artists, poets, and craftsmen traveled widely. We can identify, for instance, both the Vikings and the Arabs as global players long before the rise of modern globalism, so this volume promises to rewrite many of our traditional notions about pre-modern worldviews, economic conditions, and the literary sharing on a global level, as perhaps best expressed by the genre of the fable.

Icons of the Middle Ages