I Write What I Like A Selection Of His Writings
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Political Philosophy from an Intercultural Perspective
Author: Bianca Boteva-Richter
language: en
Publisher: Taylor & Francis
Release Date: 2021-06-27
The objective of the following collected volume is to encourage a critical reflection on the relationship between "power" and "non-power" in our contemporary "world" and, proceeding from various philosophical traditions, to investigate the multifaceted aspects of this relationship. The authors’ respective investigations proceed from an intercultural perspective and fall predominantly in the domain of political theory and philosophy. This volume takes an intercultural political perspective, which means, on the one hand, involving non-European philosophies in a global debate about power relations and their effects in the world and, on the other hand, confronting local traditions of thought with a global inquiry in order to enter into a philosophical-political dialogue with these traditions. An intercultural approach of this type to political philosophy seeks not only to join others in reflecting upon global problems, but also to decenter of our understanding of the world, drawing attention to new ways of thinking. Insofar as the authors of the planned volume deal with "concrete" philosophical-political problems unfolding in various regions of the world, they seek to shed light on burning issues like migration, human rights violations, dictatorship and language, global poverty, power asymmetries, experiences of injustice with the further goal of offering a particularly intercultural analysis of these problems along with approaches to resolving them. To date, there is no book that collects various essays from different countries and perspectives and poses political-philosophical problems from an intercultural point of view.
The Southern African Impossible Book Quiz Book
The author, a fanatical motor sport enthusiast, has spent seventeen years writing and compiling this work, which confirms Kyalami as synonymous with motor racing in South Africa.
Decolonial Aesthetics of Blackness in Contemporary Art
Decolonial aesthetics of Blackness in contemporary art challenge and redefine traditional narratives, offering a profound critique of historical and ongoing injustices. This approach emphasizes the reclamation and celebration of Black cultural identities through innovative artistic expressions that resist colonialist frameworks and oppressive stereotypes. By emphasizing the experiences and perspectives of Black artists, decolonial aesthetics challenge the power structures presented in art history and highlight the significance of autonomy, representation, and authenticity. To advance this dialogue, it is crucial to support and engage with Black artists and their work, ensuring that their voices are amplified, and their contributions are recognized within art discourse. Decolonial Aesthetics of Blackness in Contemporary Art focuses on the generative audio and visual inscription of blackness as an offering of life and beauty in contemporary art. It discusses the concept of blackness related to modernity, decolonial aesthetics, and ontology of black life and beauty. This book covers topics such as decolonization, visual art, and sociology, and is a useful resource for art historians, visual artists, sociologists, academicians, scientists, and researchers.