I Can See You Shine
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I Can See You Naked
This may be the best piece of advice in this book: When something strikes you as funny, don't let it get away. Hold on to it for dear life. It could be gold. My theory is this: Everything that strikes you as funny is going to turn up on television some day. I'll just give you this one example—because it relates directly to the book you're reading. For as long as I can remember, I've always thought that the old idea of visualizing an audience naked, as a way to control nervousness, was a funny sort of notion. It just struck me funny. I mean, it's not one of those ideas that flits in and out of your mind. It sticks. And it asks for some kind of response. So, I made it the title of a book on presentations. I Can See You Naked. Need I tell you what happened next? The idea spread across the networks like a giggle through a classroom. Millions upon millions of people are howling their heads off about this quirky notion of speakers talking to naked audiences. It's hilarious. Dynamite. A TV writer's dream come true. Then, amidst the laughter, a question hit me: Had my book unleashed all of this hilarity? Surely not. But how many speakers would now visualize their next audience in a state of dishabille? I shuddered to think of it. If you're a presenter, a naked audience is not going to improve your concentration. Eye contact is going to be a real problem for you. And you're going to be very self-conscious about that $600 designer suit you're wearing. This was all dutifully explained in I Can See You Naked—the first edition. But something told me it was time for new emphasis. Even with the relaxed morality that pervades our TV sets and movie screens, there remains a statement that must be resaid: Never speak to a naked audience. It can be distracting. There are all kinds of other psychological exercises that can be tapped to rid yourself of nervousness in the face of an awaiting audience. One woman even wrote to tell me that Chapter 13, which starts, "It's the night before your big presentation" enabled her to keep her sanity. Can you imagine? I considered changing the title of the book to reflect that thought, then decided that a promise of sanity was probably more that I could deliver—times being what they are. As with the first edition, this expanded edition is dedicated to helping you be a better presenter. But it is also dedicated to candor, to saying things that—for one reason or another—never show up in other books on presentation. Who else would tell you "to keep an eye out for the barracuda?" (Chapter 51). Who else would tell you that "you may have been in the wrong place at the wrong time?" (Chapter 17). Who else would employ the Mafia to give you a pointer or two on presentations? (Chapter 31). In short, this is a very different book on presentations. It's even different from the first edition of I Can See You Naked, which still strikes me as a funny notion, great for sitcoms—but now there are other things to laugh about, look at, learn from, and try as you get ready to make your next presentation.
The Kingdom of Light and Angels
Author: Martha Sweeney
language: en
Publisher: WWN Publishing Group Trust
Release Date: 2025-02-11
Uncle tried to kill me, so we use it to our advantage. My disappearance halts the start of the war against Talay, preventing the bloodshed Uncle desires. Caelum refuses to do Uncle’s bidding until I am returned, yet I must remain hidden. As rumors spread, I dare to gather as much information about stopping Uncle and the darkness that gives him power. Challenges arise when I try to search for answers in many places, including haunting Uncle while in Krigare. Threats and deals are made. Foes become allies. Allies become foes. Keeping track of the lies from the truth is harder than one can imagine. The lines between who you can trust and who you can’t begin to blur. Before I’m confident with controlling my gift from the Gods, war is marching towards Cysgod. Demetria and I decide to take action, aiding the Conroicht on the battlefield with the Enkeli by our side. The battle takes an unexpected turn, revealing more than I could ever imagine. Do I have the strength to use my light for good, or do I let the darkness consume me?
Unconfessed
Author: Yvette Christiansë
language: en
Publisher: Other Press, LLC
Release Date: 2024-01-23
PEN/HEMINGWAY AWARD FINALIST A fiercely poetic literary debut re-creating the life of an 19th-century slave woman in South Africa. Slavery as it existed in Africa has seldom been portrayed—and never with such texture, detail, and authentic emotion. Inspired by actual 19th-century court records, Unconfessed is a breathtaking literary tour de force. They called her Sila van den Kaap, slave woman of Jacobus Stephanus Van der Wat of Plettenberg Bay, South Africa. A woman moved from master to master, farm to farm, and—driven by the horrors of slavery to commit an unspeakable crime—from prison to prison. A woman fit for hanging . . . condemned to death on April 30, 1823, but whose sentence the English, having recently wrested authority from the Dutch settlers, saw fit to commute to a lengthy term on the notorious Robben Island. Sila spends her days in the prison quarry, breaking stones for Cape Town's streets and walls. She remembers the day her childhood ended, when slave catchers came — whipping the air and the ground and we were like deer whipped into the smaller and smaller circle of our fear. Sila remembers her masters, especially Oumiesies ("old Missus"), who in her will granted Sila her freedom, but Theron, Oumiesies' vicious and mercenary son, destroys the will and with it Sila's life. Sila remembers her children, with joy and with pain, and imagines herself a great bird that could sweep them up in her wings and set them safely on a branch above all harm. Unconfessed is an epic novel that connects the reader to the unimaginable through the force of poetry and a far-reaching imagination.