I Am Not Sidney Poitier Nyt Review
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I Am Not Sidney Poitier
I Am Not Sidney Poitier is an irresistible comic novel from the master storyteller Percival Everett, and an irreverent take on race, class, and identity in America I was, in life, to be a gambler, a risk-taker, a swashbuckler, a knight. I accepted, then and there, my place in the world. I was a fighter of windmills. I was a chaser of whales. I was Not Sidney Poitier. Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor, and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation. Percival Everett's hilarious new novel follows Not Sidney's tumultuous life, as the social hierarchy scrambles to balance his skin color with his fabulous wealth. Maturing under the less-than watchful eye of his adopted foster father, Ted Turner, Not gets arrested in rural Georgia for driving while black, sparks a dinnertable explosion at the home of his manipulative girlfriend, and sleuths a murder case in Smut Eye, Alabama, all while navigating the recurrent communication problem: "What's your name?" a kid would ask. "Not Sidney," I would say. "Okay, then what is it?"
Telephone
'[Percival Everett's] books always feel like an encounter with substantive, playful thinking . . . sad, affecting and marvelous' New York Times A finalist for the Pulitzer Prize in Fiction, Telephone is an astonishing story of love, loss and grief from Percival Everett, author of The Trees, Dr No and Erasure (now an Oscar-nominated film). Zach Wells is a perpetually dissatisfied geologist-slash-paleobiologist. Expert in an incredibly niche field, he spends his days playing chess with his daughter, trading puns with his wife as she does yoga, and dodging committee work at the college where he teaches. After his daughter is diagnosed with a fatal illness, Wells finds a cryptic plea for help tucked into a secondhand jacket bought online. Desperately seeking a way avoid his newfound sense of powerlessness, he embarks for New Mexico on a quixotic rescue mission. Part of the Picador Collection, a series celebrating fifty years of Picador books and showcasing the best of modern literature. Read Percival's Booker Prize-shortlisted novel James in paperback now.
Wait Till You See Me Dance
“Deb Olin Unferth’s stories are so smart, fast, full of heart, and distinctive in voice—each an intense little thought-system going out earnestly in search of strange new truths. What an important and exciting talent.”—George Saunders For more than ten years, Deb Olin Unferth has been publishing startlingly askew, wickedly comic, cutting-edge fiction in magazines such as Granta, Harper’s Magazine, McSweeney’s, NOON, and The Paris Review. Her stories are revered by some of the best American writers of our day, but until now there has been no stand-alone collection of her short fiction. Wait Till You See Me Dance consists of several extraordinary longer stories as well as a selection of intoxicating very short stories. In the chilling “The First Full Thought of Her Life,” a shooter gets in position while a young girl climbs a sand dune. In “Voltaire Night,” students compete to tell a story about the worst thing that ever happened to them. In “Stay Where You Are,” two oblivious travelers in Central America are kidnapped by a gunman they assume to be an insurgent—but the gunman has his own problems. An Unferth story lures you in with a voice that seems amiable and lighthearted, but it swerves in sudden and surprising ways that reveal, in terrifying clarity, the rage, despair, and profound mournfulness that have taken up residence at the heart of the American dream. These stories often take place in an exaggerated or heightened reality, a quality that is reminiscent of the work of Donald Barthelme, Lorrie Moore, and George Saunders, but in Unferth’s unforgettable collection she carves out territory that is entirely her own.