Hpmor Part 2
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More Everything Forever
The bad science and sinister ideas behind Silicon Valley's foolish obsession with immortality, AI paradise and limitless growth. Tech billionaires have decided that they should determine our futures for us. According to Elon Musk, Jeff Bezos, Sam Altman and more, the only good future for humanity is one powered by technology: trillions of humans living in space, functionally immortal, served by superintelligent AIs. In More Everything Forever, scientist and writer Adam Becker investigates these wildly implausible and often profoundly immoral visions of tomorrow to reveal why, in reality, there is no good evidence that they will, or should, come to pass. The giants of Silicon Valley claim that their ideas are based on science, but the truth is darker: they come from a jumbled mix of shallow futurism and racist pseudoscience. And behind these fanciful visions of space colonies and digital immortality is a cynical power grab, at the expense of essential work spent on solving real problems like the climate crisis. More Everything Forever exposes the powerful myths that dominate Silicon Valley, challenging us to see how foolish, and dangerous, these visions of the future are.
Prequels, Coquels and Sequels in Contemporary Anglophone Fiction
This book offers to delineate a key phenomenon in contemporary Anglophone fiction: novel expansion, when the plot and characters from a finished novel are retrieved to be developed in new adventures set before, after or during the narrative time of the source-text. If autographic and allographic sequels are almost as old as literature, prequels – that imagine the anteriority of a narrative – and coquels – that develop secondary characters in the same story time as the source-text – are more recent. The overall trend for novel expansion spread in the mid-1980s and 1990s and has since shown no sign of abating. This volume is organised following three types of relationships to the source-texts even if these occasionally combine to produce a more complex structure. This book comprises 11 essays, preceded by an introduction, that examine narrative strategies, aesthetic, ethical and political tendencies underlying these novel expansions. Following the overview provided in the introduction, the reader will find case studies of prequels, coquels and sequels before a final chapter that encompasses them all and more.
The Politics of Fantasy
Author: Eliot Borenstein
language: en
Publisher: University of Wisconsin Pres
Release Date: 2025-08-19
What happened when J. K. Rowling’s mega-blockbuster—born in the United Kingdom and launched to global heights by Hollywood and the full force of Western marketing—came knocking on President Putin’s door? The arrival of boy wizard and international star Harry Potter in a recently neoliberal Russia was enormously influential, but neither smooth nor uncontested. The franchise quickly became a lens that focused Russian ambitions and fears during an era characterized by both the hegemony of globalized popular culture and a nationalized conservative backlash. With crisp, engaging prose, Eliot Borenstein leaps from Harry Potter into an exploration of the culture wars and moral panics sparked in Russia by Western-inspired children’s literature, extending back into the Soviet period and through the invasion of Ukraine. As cultural products pitched ostensibly to children, the Harry Potter books and films became the perfect objects for criticism, translation, adaptation, parody, attack, mimicry, and meme-making, allowing Russians to carve out their own space in the worldwide market of magical multiverses.