How To Lose A Planet The Afrofuture Epic

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How to Lose a Planet: The Afrofuture Epic

Kato Washington has been freed from prison and tries to rebuild his life on a foundation of regret. But a police officer and a journalist believe Kato’s parole was actually a jailbreak. And a telekinetic serial killer is quietly wreaking havoc on the moons, where humans have rebuilt society after losing Earth. The police and journalist are closing in. And the killer has a special interest in Kato. On two sides, he faces disaster that rivals the loss of a planet, which is to lose everything. "How to Lose a Planet" is a 100,000-word speculative fiction story with a diverse cast of characters. The story was written with an appreciation for NK Jemisin’s detailed world-building, Octavia Butler’s philosophy on a clear and accessible storytelling voice, and Nalo Hopkinson’s attention to the effect of culture on dialogue.
Afrofuturism

Author: Ytasha L. Womack
language: en
Publisher: Chicago Review Press
Release Date: 2013-10-01
2014 Locus Awards Finalist, Nonfiction Category In this hip, accessible primer to the music, literature, and art of Afrofuturism, author Ytasha Womack introduces readers to the burgeoning community of artists creating Afrofuturist works, the innovators from the past, and the wide range of subjects they explore. From the sci-fi literature of Samuel Delany, Octavia Butler, and N. K. Jemisin to the musical cosmos of Sun Ra, George Clinton, and the Black Eyed Peas' will.i.am, to the visual and multimedia artists inspired by African Dogon myths and Egyptian deities, the book's topics range from the "alien" experience of blacks in America to the "wake up" cry that peppers sci-fi literature, sermons, and activism. With a twofold aim to entertain and enlighten, Afrofuturists strive to break down racial, ethnic, and social limitations to empower and free individuals to be themselves.
The Black Experience in Design

The Black Experience in Design spotlights teaching practices, research, stories, and conversations from a Black/African diasporic lens. Excluded from traditional design history and educational canons that heavily favor European modernist influences, the work and experiences of Black designers have been systematically overlooked in the profession for decades. However, given the national focus on diversity, equity, and inclusion in the aftermath of the nationwide Black Lives Matter protests in the United States, educators, practitioners, and students now have the opportunity—as well as the social and political momentum—to make long-term, systemic changes in design education, research, and practice, reclaiming the contributions of Black designers in the process. The Black Experience in Design, an anthology centering a range of perspectives, spotlights teaching practices, research, stories, and conversations from a Black/African diasporic lens. Through the voices represented, this text exemplifies the inherently collaborative and multidisciplinary nature of design, providing access to ideas and topics for a variety of audiences, meeting people as they are and wherever they are in their knowledge about design. Ultimately, The Black Experience in Design serves as both inspiration and a catalyst for the next generation of creative minds tasked with imagining, shaping, and designing our future.