How To Dj Right The Art And Science Of Playing Records Pdf

How to DJ Right

A “lucid, comprehensive guide” to becoming a club DJ “from beat matching to promotion to not going deaf” by the authors of Last Night a DJ Saved My Life (Rolling Stone). Bill Brewster and Frank Broughton wrote the definitive history of the DJ in Last Night a DJ Saved My Life. Now they share their extensive knowledge of the creative and technical aspects of DJing in this clear, accessible, entertaining guide for all aspiring jocks. How to DJ Right covers every aspect of DJing from establishing a music collection and a distinctive sound, to elementary record-spinning, to the complex skills of scratching, hot-mixing, and beat-juggling, as well as the unique art of creating an evening of sound that is perfectly timed, balanced, and unforgettable. Diagrams throughout make phrases, beat timing, and song structure comprehensible without a background in music theory. The authors also include recommendation lists on everything from the best (and most fun) songs to practice with, to the best sources for building a library of disks, CDs, and MP3s. For those who want to turn pro, the authors give sage advice on the vagaries of the club and music business. Enlivened by short quotes, anecdotes, and photos of famous DJs such as Grandmaster Flash and Derrick Carter, How to DJ is the definitive book for anyone who has ever considered becoming a DJ.

How to DJ (properly)

Technologies related to electronic music production

We will focus on the most outstanding technologies for modern electronic music production. Therefore, as in the previous book in which sections made the presentation of the instruments, this volume is made up of five of them for reasons of analytical practicality: 1. Audio recording and playback 2. Speakers 3. Communication protocols between electronic instruments 4. Modern electronic music production 5. DJing The first point will clarify how the ability to record sound in an analog mechanism was acquired just a moment ago if we compare that time with human existence. Therefore, since electronic music is intrinsically linked to the technique of sound recording and its playback, it is necessary to know about the technologies that have allowed this process since the 19th century. Subsequently, it will be explained what the speakers are and how their role and development in electronic music have been fundamental. As has already been elucidated throughout this series, it would be practically impossible for electronic music to exist without speakers. After that, we’ll see the two main protocols of communication between electronic instruments: MIDI and OSC, in addition to expressing my point of view about their transcendence because never, in the history of music in its entirety, the instruments had managed to sync through messages and time automation codes, under the master/ slave concept. Understanding the above, we will review all those technologies that facilitate modern electronic music production, such as a DAW, sound effects, sample manipulation, etc. Finally, we will explain the tools that the DJ uses to play, such as turntables, CD players, controllers, etc. Since each invention of these five points has its own story, I will limit myself to mentioning merely basic details so that the reader can investigate more for his account, topic by topic. As in the case of this series’ first and second volumes, the purpose is to establish a conceptual axis in which one can have a reference, not a detailed encyclopedia of each specific device.