How Is Elizabeth Bennet Described In Pride And Prejudice
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Jane Austen and the Ethics of Description
Jane Austen and the Ethics of Description demonstrates that Elizabeth Bennet and her creator are misunderstood, and often unrecognized, geniuses of moral philosophy, but not simply because of their virtue or wit or natural skills in game theory. The engine driving the moral judgement and growth of Austen’s protagonists consists of a particular and not well-understood ability to reason by description, a skill which we moderns must recover and remaster in order to negotiate the complexities of contemporary life. The forms of rational description this book derives from Austen will be of great interest not only to literary critics and theorists, but also to philosophers and anyone interested in ethics, the dynamics of power, and practical reasoning. Written in a clear style, the book is for those who love Austen and for those who want to understand how we should reason about our lives, how we should understand power, social conflict, and our own motives and prejudices. It is a literary analysis, a philosophical argument, and a practical guide to ethical thinking.
Pride and Prejudice 2.0
Austen's Pride and Prejudice has been adapted, transformed and translated into numerous languages. Thus the classic today constitutes an international, transcultural, transmedial and iconic phenomenon of pop culture that transcends genre boundaries as easily as centuries. The vitality of the book at the crossroads of the literary canon and pop culture is analysed by contributions focusing on its translations, Bollywood adaptations, iconic TV versions or vlog adaptations, on erotic rewritings or generic transformations into Chick-Lit, crime fiction or the Gothic mode, on teaching contexts or on a diachronic analysis of its illustrations. Complemented by a compilation of student essays, this volume affirms and celebrates Pride and Prejudice being perhaps more alive than ever before.
The Poetics of Description
This book tells a remarkable story that begins in classical antiquity with ecphrasis, the art of describing the world so vividly that the audience could become imaginative eyewitnesses, and the events that caused an ideal of immediacy to be transformed into nearly its opposite, a preoccupation with representation of representation.