Horse They Rode In On
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Horses They Rode
Midway through Sid Gustafson's new novel, Horses They Rode, I found myself put in mind of all the second chances I have had. His take on the reknitting of family, friendship, and one man's tumultuous life is such a story-a tale of second chances where hope effervesces across a storyscape of high country, horse corrals, drunkenness, and regret that seems, at moments, irresolvable. It's a wholly American novel, for of course, America is a land forgiving of first mistakes-where a shot at trying again is fair and right.Wendel Ingraham, Gustafson's protagonist, is a ranch hand who has roamed Washington State's Inland Empire, Idaho's panhandle, and Big Sky Country on a multi-year binge, leaving a daughter and a broken marriage in his wake. A series of experiences, including encounters with a high-school sweetheart and with mentor, companion, and part-time Blackfoot medicine man Bubbles Ground Owl, leads to his sobriety and amends.Wendel and Bubbles take jobs as hands on a ranch where they worked as youths. And this is where the novel cries its message in earnest. The protagonist is never so competent as when he's reunited with his beloved horse. The symbiosis that is rediscovered between them, a language of faithfulness and trust, portends atonements awaiting Wendel. A gathering of horsemen and their mounts prompts language from Gustafson that is a gorgeous but gritty admixture of potential: "Whoever they were, whatever breed of horsemen, they brought horses and they brought hope, hope that horses could revive a manifest heart."At the ranch there are additional reconciliations required of Ingraham. In their execution, he emerges whole, ". . . grateful for all the people who'd gathered to live the life they knew best, everything and everyone connected, men and animals, fishes and birds, grass, trees and stars."As in his first novel, Prisoners of Flight, Gustafson often joyfully eschews writing conventions. By turns, his forms are starkly tangible or cloaked in mythology. His prose is exuberant and accessible. Rhythmic, he often reads like a long poem: "Parents want their children with them, children of the land, something about having your children with you on the land, native children on native land."Horses They Rode is a one-sitting book. And it's the kind of book about something important in a world full of books about unimportant things. Readers of classic Montana fiction will like it.Reviewed by Brian Ames '85Washington State Magazine Steeped in Native American spirituality and stories, Horses They Rode is a compelling tribute to contemporary ranch culture. Like his debut novel, Prisoner's of Flight, Gustafson's latest is thick with metaphor, weaving together both inner and outer journeys. By rail, by horse, and by mountain highway, Gustafson paints a magical landscape as his protagonist recreates his life and connections with others, the land and himself. Annahttp: //wsm.wsu.edu/r/index.php?id=37#.Wamzv62ZNE5http: //www.outsidebozeman.com/fall-2006/horses-they-r
And The Horse He Rode In On
EXCLUSIVE: CARVILLE RESPONDS TO THE STARR REPORT ...And the Horse He Rode In On gives the first full accounting of what's really behind the longest-running, most expensive dirty trick in politics: Ken Starr's investigation.
Other Stories and the Horse You Rode in on
Other Stories and the Horse You Rode in On is a collection of Dakota McFadzean's comics. Short stories filled with yawning skies, dark humour, and quiet ruminations on memory, aging, and time. Drunken gnomes, sensitive teenagers, and a meditative cowboy all wander toward a sprawling, ghost-ridden horizon. McFadzean's stories have been featured in the Best American Comics anthology for 2012 and in Regina's Prairie Dog Magazine. His minicomic Ghost Rabbit won a Shuster Award and The Dailies was shortlisted for Slate magazine's Cartoonist Studio Prize for Best Web Comic of 2012.