Horror Unmasked A History Of Terror From Nosferatu To Nope
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Horror Unmasked
From the silent-film era to the blockbusters of today, Horror Unmasked is a fun-filled, highly illustrated dive into the past influences and present popularity of the horror film genre. The horror film’s pop-culture importance is undeniable, from its early influences to today’s most significant and exciting developments in the genre. Since 1990, the production of horror films has risen exponentially worldwide, resulting in impressive ticket sales in the modern day, not to mention how the genre has expanded into books, fashion, music, and other media throughout the world. Horror has long been the most popular film genre, and more horror movies have been made than any other kind. We need them. We need to be scared, to test ourselves, laugh inappropriately, scream, and flinch. We need to get through them and come out, blinking, still in one piece. This comprehensive guide features: A thorough discussion on monster movies and B-movies (The Thing; It Came from Outer Space; The Blob) The destruction of the American censorship system (Blood Feast; The Night of the Living Dead; The Texas Chainsaw Massacre) International horror, zombies, horror comedies, and horror in the new millennium (Matango; Suspiria; Ghostbusters) A dissection of the critical reception of modern horror (Neon Demon; Pan’s Labyrinth; Funny Games) Stunning movie posters and film stills, plus fan-made tributes to some of the most lauded horror franchises in the world (Aliens; the Evil Dead; The Hills Have Eyes; Scream) A perfect reference and informational book for horror fans and those interested in its cultural influence worldwide, Horror Unmasked provides a general introduction to the genre, serves as a guidebook to its film highlights, and celebrates its practitioners, trends, and stories.
Lost in the Dark
Author: Brad Weismann
language: en
Publisher: Univ. Press of Mississippi
Release Date: 2021-04-22
Two horror films were nominated for the Academy Award for Best Picture in 2018, and one of them—The Shape of Water—won. Since 1990, the production of horror films has risen exponentially worldwide, and in 2013, horror films earned an estimated $400 million in ticket sales. Horror has long been the most popular film genre, and more horror movies have been made than any other kind. We need them. We need to be scared, to test ourselves, laugh inappropriately, scream, and flinch. We need to get through them and come out, blinking, still in one piece. Lost in the Dark: A World History of Horror Film is a straightforward history written for the general reader and student that can serve as a comprehensive reference work. The volume provides a general introduction to the genre, serves as a guidebook to its film highlights, and celebrates its practitioners, trends, and stories. Starting with silent-era horror films and ending with 2020’s The Invisible Man, Lost in the Dark looks at decades of horror movies. Author Brad Weismann covers such topics as the roots of horror in literature and art, monster movies, B-movies, the destruction of the American censorship system, international horror, torture porn, zombies, horror comedies, horror in the new millennium, and critical reception of modern horror. A sweeping survey that doesn’t scrimp on details, Lost in the Dark is sure to satisfy both the curious and the completist.
Terror in Our Time
Written by two leading scholars, this book is an accessible overview of the global political consequences of the 9/11 terror attacks. The War on Terror has defined the first decade of this century. It has been marked by the deaths of thousands of people, political turmoil, massive destruction, and intense fear. Regardless of the name it goes under, the long war on terror will continue to affect lives across the world. Its catalyst, 9/11, did not have to happen, nor did the character of the responses. This book offers a set of novel interpretations of how we got here, where we are, and where we should be heading. It is organised around twelve penetrating and readable essays, full of novel interpretations and succinct summaries of complex ideas and events. In their examination of those aspects of global order touched by terror, the authors argue that the dangers of international terrorism are not overblown. Future 9/11s are possible: so is a more just and law-governed world. Terrorism cannot be disinvented, but with more intelligent policies than have been on show these past ten years, it can be overcome and made politically anachronistic. This book will be essential reading for all students of terrorism studies, international security, war and conflict studies and IR in general, as well as of much interest to well-informed lay readers.