Hooch
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Hooch
For anyone who has considered brewing a batch of beer or mead at home, or making a custom barrel of wine with local fruit, this thorough guide will clear a path to the bottle. It demystifies the process: from planting hops and fruits to pruning, harvesting, fermenting, flavoring, and bottling one-of-a-kind drinks from your own backyard. It serves as a starting point not only for wines and beers, but also hard ciders, meads, and infusions, and even touches on at-home distilling Perfect for the city-dweller, urban gardener, or anyone with limited space and a desire to make custom concoctions, Hooch offers projects to suit any lifestyle. With recipes for brews made from grapes, hops, and herbs, DIY boozers will find everything they need to begin a brewing journey.
Deliverance - Hooch and Matt's Story
Nothing in life is ever simple, especially if you're a Delta Force instructor and an ex-Marine trying to make a new life together - not when you live under the constraints of 'Don't ask, Don't tell, ' the shadow of nightmares, and a darkness that will destroy you unless kept in check. Deliverance is the story of Hooch, a US Delta Force soldier and Matt, his former-Jarhead lover. It is a spin-off from Special Forces and spans the years 1998 to 2011. Both Hooch and Matt were created by Marquesate as secondary characters in the epic Special Forces ((c) 2006-2009), but they took on a life of their own.
Pieter de Hooch
In the hush of early morning, a dutiful mother butters bread for her young son, who patiently stands at her side. This splendid painting captures a trivial moment in a family's daily routine and makes it almost sacrosanct. A Woman Preparing Bread and Butter for a Boy was executed by the Dutch painter Pieter de Hooch (1629-1684) between 1661 and 1663. The J. Paul Getty Museum's canvas is one of the artist's many pictures depicting women and children engaged in daily activities. This book examines the painting in relation to the artist's life and work, exploring his stylistic development and his complex relationship to other painters in the Dutch Republic. The author places the subject matter of the painting within the broader context of seventeenth-century Dutch concepts of domesticity and child rearing and ties it to social and cultural developments in the Netherlands during the second half of the seventeenth century.