Homecomings Band

Waterloo Homecomings

The Gaithers and Southern Gospel

In The Gaithers and Southern Gospel, Ryan P. Harper examines songwriters Bill and Gloria Gaither's Homecoming video and concert series--a gospel music franchise that, since its beginning in 1991, has outperformed all Christian and much secular popular music on the American music market. The Homecomings represent "southern gospel." Typically that means a musical style popular among white evangelical Christians in the American South and Midwest, and it sometimes overlaps in style, theme, and audience with country music. The Homecomings' nostalgic orientation--their celebration of "traditional" kinds of American Christian life--harmonize well with southern gospel music, past and present. But amidst the backward gazes, the Homecomings also portend and manifest change. The Gaithers' deliberate racial integration of their stages, their careful articulation of a relatively inclusive evangelical theology, and their experiments with an array of musical forms demonstrate that the Homecoming is neither simplistically nostalgic, nor solely "southern." Harper reveals how the Gaithers negotiate a tension between traditional and changing community norms as they seek simultaneously to maintain and expand their audience as well as to initiate and respond to shifts within their fan base. Pulling from his field work at Homecoming concerts, behind the scenes with the Gaithers, and with numerous Homecoming fans, Harper reveals the Homecoming world to be a dynamic, complicated constellation in the formation of American religious identity.

Homecoming Veterans in Literature and Culture

From Homer’s Odyssey itself, the return of the veteran to his or her home has been a central trope of the literary canon. Huge bureaucracies and a panoply of global organisations are deeply concerned with facilitating a painless return to stable homes. This book presents ‘homecoming’ as an analytical lens to better understand veterans’ return and reintegration after conflict. Home is held to be multidimensional, a concept encapsulating the physical and the social, particularly disrupted by experiences of violence. Homecoming is, therefore, not a mere moment but a process that can unfold over years and decades as old and new bonds of familiarity are forged. Struggles over the home and homecoming are, moreover, endlessly political, bound up in questions of identity and the nation. Looking across times, places, and disciplines, the collection centres both historical and representational approaches to veterancy.