History Question Bank Ugc Nta Net Assistant Professors
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History Question Bank UGC NTA NET Assistant Professors
Author: Mocktime Publication
language: en
Publisher: by Mocktime Publication
Release Date: 101-01-01
Chpater 1. The History paper consists of all the aspects of Indian History (Pre-history, Ancient period, Medieval Indian history, and Modern India including National Movement and post independent phase) and also consists of Historical Method, Research Methodolo (in context of UGC NTA NET Exam Subject History) Chpater 2. Concepts, Ideas and Terms - I: Bharatvarsha, Khilafat, Sabha and Samiti, Sulah-i-kul, Varnasrama, Turkan-i-Chahlghani, Vedanta, Watan, Purusharthas, Baluta, Rina, Taquavi, Samskaras, Iqta, Yajna, Jaziya. (in context of UGC NTA NET Exam Subject History) Chpater 3. Concepts, Ideas and Terms - II: Ganarajya, Zakat, Janapada, Madad-i-maash, Doctrine of Karma, Amaram, Dandaniti / Arthasastra / Saptanga, Raya-Rekho, Dharmavijaya, Jangama / Dasa. (in context of UGC NTA NET Exam Subject History) Chpater 4. Concepts, Ideas and Terms - III: Stupa / Chaitya/ Vihara, Madarasa / Maqtab, Nagara / Dravida / Vesara, Chauth / Sardeshmukhi, Bodhisattva / Tirthankara, Sarai, Alvars / Nayanars, Polygars, Sreni, Jagir / Shariyat. (in context of UGC NTA NET Exam Subject History) Chpater 5. Concepts, Ideas and Terms - IV: Bhumi-chidra-vidhana-nyaya, Dastur, Kara-bhoga-bhaga, Mansab (Rank), Vishti, Deshmukh, Stridhana, Nadu / Ur, Memorial Stones, Ulema, Agraharas, Firman. (in context of UGC NTA NET Exam Subject History) Chpater 6. Concepts, Ideas and Terms - V: Ain-i-Dashsalah, Satyagraha, Pargana, Swadeshi, Shahna-i-Mandi, Revivalism, Mahalwari, Communalism, Hind Swaraj, Orientalism, Mercantilism, Oriental Despotism. (in context of UGC NTA NET Exam Subject History) Chpater 7. Concepts, Ideas and Terms - VI: Economic Nationalism, De-Industrialisation, Indian Renaissance, Subsidiary Alliance, Economic Drain, Evangelicalism, Colonialism, Bhudan, Paramountcy, Panchsheel, Dyarchy, Mixed Economy. (in context of UGC NTA NET Exam Subject History) Chpater 8. Concepts, Ideas and Terms - VII: Federalism, Socialism, Utilitarianism, Hindu Code Bill, Filtration Theory, Historical Methods, Forward Policy, Plagiarism, Doctrine of Lapse, Ethics and Morality in History Writing. (in context of UGC NTA NET Exam Subject History) Chpater 9. Unit I - Sources & Early Phases: Negotiating the Sources: Archaeological sources (Exploration, Excavation, Epigraphy and Numismatics, Dating of Archaeological Sites); Literary Sources (Indigenous Literature: Primary and Secondary: problem of dating, Religious and Secular Literature, Myths, Legends, etc.; Foreign Accounts: Greek, Chinese and Arabic). (in context of UGC NTA NET Exam Subject History) Chpater 10. Unit I - Neolithic, Chalcolithic & Indus Civilization: Pastoralism and Food production (Neolithic and Chalcolithic Phase: Settlement, distribution, tools and patterns of exchange); Indus/Harappa Civilization (Origin, extent, major sites, settlement pattern, craft specialization, religion, society and polity, Decline of Indus Civilization, Internal and external trade, First urbanization in India). (in context of UGC NTA NET Exam Subject History) Chpater 11. Unit I - Vedic Periods & Emergence of States: Vedic and later Vedic periods (Aryan debates, Political and Social Institutions, State Structure and Theories of State; Emergence of Varnas and Social Stratification, Religious and Philosophical Ideas, Introduction of Iron Technology, Megaliths of South India); Expansion of State system (Mahajanapadas, Monarchical and Republican States, Economic and Social Developments and Emergence of Second Urbanization in 6th century BCE; Emergence of heterodox sects-Jainism, Buddhism and Ajivikas). (in context of UGC NTA NET Exam Subject History) Chpater 12. Unit II - From State to Empire (Magadha & Mauryas): Rise of Magadha, Greek invasion under Alexander and its effects; Mauryan expansion, Mauryan polity, society, economy; Asoka’s Dhamma and its Nature; Decline and Disintegration of the Mauryan Empire; Mauyan art and architecture; Asokan edicts: language and script. (in context of UGC NTA NET Exam Subject History) Chpater 13. Unit II - Post-Mauryan Regional Powers & Trade: Dissolution of Empire and Emergence of Regional Powers (Indo-Greeks, Sungas, Satavahanas, Kushanas and Saka-Ksatrapas); Sangam literature, polity and society in South India as reflected in Sangam literature; Trade and commerce from 2nd century BCE to 3rd century CE, Trade with the Roman World. (in context of UGC NTA NET Exam Subject History) Chpater 14. Unit II - Religious Developments, Art & Gupta-Vakataka Age: Emergence of Mahayana Buddhism, Kharavela and Jainism; Post-Mauryan art and Architecture (Gandhara, Mathura and Amaravati schools); Gupta Vakataka age (Polity and Society, Agrarian Economy, Land Grants, Land Revenue and Land Rights, Gupta Coins, Beginning of Temple Architecture, Emergence of Puranic Hinduism, Development of Sanskrit Language and Literature, Developments in Science Technology, Astronomy, Mathematics and Medicine); Harsha and his Times (Administration and Religion); Salankayanas and Visnukundins in Andhradesa. (in context of UGC NTA NET Exam Subject History) Chpater 15. Unit III - Regional Kingdoms (Deccan & South): Emergence of Regional Kingdoms: Kingdoms in Deccan (Gangas, Kadmabas, Western and Eastern Chalukyas, Rashtrakutas, Kalyani Chalukyas, Kakatiyas, Hoysalas and Yadavas); Kingdoms in South India (Pallavas, Ceras, Colas and Pandyas). (in context of UGC NTA NET Exam Subject History) Chpater 16. Unit III - Regional Kingdoms (East, West, North) & Early Medieval Characteristics: Kingdoms in Eastern India (Palas and Senas of Bengal, Varmans of Kamarupa, Bhaumakaras and Somavamsis of Odisha); Kingdoms in Western India (Maitrakas of Vallabhi and Chalukyas of Gujarat); Kingdoms in North India (Gurjara-Pratiharas, Kalacuri-Chedis, Gahadavalas and Paramaras); Characteristics of Early Medieval India (Administration and Political Structure Legitimation of Kingship). (in context of UGC NTA NET Exam Subject History) Chpater 17. Unit III - Early Medieval Economy & Trade: Agrarian economy (land grants, changing production relations; graded land rights and peasantry, water resources, taxation system, coins and currency system); Trade and urbanization (patterns of trade, and urban settlements, ports and trade routes, merchandise and exchange, trade guilds; trade and colonization in southeast Asia). (in context of UGC NTA NET Exam Subject History) Chpater 18. Unit III - Early Medieval Religion & Society: Growth of Brahminical religions (Vaisnavism and Saivism; Temples; Patronage and Regional Ramification; Temple Architecture and Regional Styles; Dana, Tirtha and Bhakti, Tamil Bhakti movement - Shankara, Madhava and Ramanujacharya); Society (Varna, Jati and Proliferation of Castes, Position of women; Gender, marriage and property relations; Women in public life; Tribes as peasants and their place in Varna order; Untouchability). (in context of UGC NTA NET Exam Subject History) Chpater 19. Unit III - Early Medieval Education, State Formation Debates & Arab Contracts: Education and Educational Institutions (Agraharas, Mathas and Mahaviharas as Centres of Education); Growth of Regional Languages; Debates of state formation in early medieval India (A) Feudal model; B) Segmentary model; C) Integrative model); Arab contracts: Suleiman Ghaznavid conquests; Alberuni’s Accounts. (in context of UGC NTA NET Exam Subject History) Chpater 20. Unit IV - Sources of Medieval History & Political Developments (Sultanate & Mughals): Source of Medieval Indian History (Archaeological, Epigraphic and Numismatic sources, Material evidences and Monuments; Chronicles; Literary sources – Persian, Sanskrit and Regional languages; Daftar Khannas: Firmans, Bahis / Pothis / Akhbarat; Foreign Travellers’ Accounts – Persian and Arabic); Political Developments – The Delhi Sultanate (the Ghorids, the Turks, the Khaljis, the Tughlaqs, theSayyids and the Lodis, Decline of Delhi Sultanate); Foundation of the Mughal Empire (Babur, Humayun and the Suris; Expansion and Consolidation from Akbar to Aurangzeb, Decline of the Mughal Empire, Later Mughals and Disintegration of the Mughal Empire). (in context of UGC NTA NET Exam Subject History) Chpater 21. Unit IV - Vijayanagara, Bahmanis, Other Regional Powers & Marathas: The Vijayanagara and the Bahmanis - Deccan Sultanate (Bijapur, Golkonda, Bidar, Berar and Ahmadnagar – Rise, Expansion and Disintegration); Eastern Gangas and Suryavamshi Gajapatis; Rise of the Marathas & the foundation of Swaraj by Shivaji (its expansion under the Peshwas; Mughal – Maratha relations, Maratha Confederacy, Causes of Decline). (in context of UGC NTA NET Exam Subject History) Chpater 22. Unit V - Medieval Administration (Sultanate, Sher Shah, Mughals): Administration & Economy: Administration under the Sultanate (Nature of State – Theocratic and Theocentric, Central, Provincial and Local Administration, Law of succession); Sher Shah’s Administrative Reforms; Mughal Administration (Central, Provincial and Local: Mansabdari and Jagirdari Systems). (in context of UGC NTA NET Exam Subject History) Chpater 23. Unit V - Deccan, Maratha Administration & Inter-State Policies: Administrative System in the Deccan (The Vijayanagara State & Polity, Bahamani Administrative System); Maratha Administration (Asta Pradhan); Frontier Policies under Delhi Sultanate and Mughals; Inter-State Relations during the Sultanate and the Mughals. (in context of UGC NTA NET Exam Subject History) Chpater 24. Unit V - Medieval Economy (Agriculture, Industries, Trade): Agricultural Production and Irrigation System, Village Economy, Peasantry, Grants and Agricultural Loans, Urbanization and Demographic Structure; Industries (Cotton Textiles, Handicrafts, Agro-Based industries, Organisation, Factories & Technology); Trade and Commerce (State Policies, Internal and External Trade: European Trade, Trade Centres and Ports, Transport and Communication, Hundi (Bills of Exchange) and Insurance, State Income and Expenditure, Currency, Mint System; Famines and Peasant Revolts). (in context of UGC NTA NET Exam Subject History) Chpater 25. Unit VI - Medieval Social Structure, Sufism, Bhakti & Sikh Movements: Society and Culture: Social Organisation and Social Structure; The Sufis (Their Orders, Beliefs and Practices, the leading Sufi Saints, Social Synchronization); Bhakti Movement (Shaivism; Vaishnavism, Shaktism, The Saints of the Medieval Period – North and South – their impact on Socio- Political and Religious Life – Women Saints of Medieval India); The Sikh Movement (Guru Nanak Dev: his teachings and practices, Adi Granth; the Khalsa). (in context of UGC NTA NET Exam Subject History) Chpater 26. Unit VI - Medieval Social Classification, Women & Education: Social Classification (Ruling Class, Major Religious Groups, the Ulemas, the Mercantile and Professional Classes – Rajput Society); Rural society (Petty Chieftains, Village Officials, Cultivators and Non-Cultivating Classes, Artisans); Position of Women (Zanana System – Devadasi System); Development of Education, Centres of Education and Curriculum, Madarasa Education. (in context of UGC NTA NET Exam Subject History) Chpater 27. Unit VI - Medieval Fine Arts & Architecture: Fine Arts (Major Schools of Painting – Mughal, Rajasthani, Pahari, Garhwali; Development of Music); Art and Architecture (Indo-Islamic Architecture, Mughal Architecture, Regional Styles, Indo-Arabic Architecture, Mughal Gardens, Maratha Forts, Shrines and Temples). (in context of UGC NTA NET Exam Subject History) Chpater 28. Unit VII - Sources of Modern History & Rise of British Power: Sources of Modern Indian History (Archieval Materials, Biographies and Memoirs, Newspapers, Oral Evidence, Creative Literature and Painting, Monuments, Coins); Rise of British Power (European Traders in India in the 16th to 18th Centuries – Portuguese, Dutch, French and the British; Establishment and Expansion of British Dominion in India). (in context of UGC NTA NET Exam Subject History) Chpater 29. Unit VII - British Relations, 1857 Revolt, Administration & Constitutional Changes: British Relations with Principal Indian States (Bengal, Oudh, Hyderabad, Mysore, Carnatic and Punjab); Revolt of 1857 (Causes, Nature and Impact); Administration of the Company and the Crown (Evolution of Central and Provincial Structure under East India Company, Paramountcy, Civil Service, Judiciary, Police and the Army under the Company; British Policy and Paramountcy in the Princely States under the Crown, Local Self-Government); Constitutional Changes, 1909 – 1935. (in context of UGC NTA NET Exam Subject History) Chpater 30. Unit VIII - Colonial Economy & Its Impact: Colonial Economy: Changing Composition, Volume and Direction of Trade; Expansion and Commercialization of Agriculture, Land Rights, Land Settlements, Rural Indebtedness, Landless Labour, Irrigation and Canal System; Decline of Industries (Changing Socio-Economic Conditions of Artisans; De-urbanisation); Economic Drain; World Wars and Economy. (in context of UGC NTA NET Exam Subject History) Chpater 31. Unit VIII - British Industrial Policy, Infrastructure & Social Issues: British Industrial Policy; Major Modern Industries; Nature of Factory Legislation; Labour and Trade Union Movements; Monetary Policy, Banking, Currency and Exchange, Railways and Road Transport, Communications (Post & Telegraph); Growth of New Urban Centres; New Features of Town Planning and Architecture, Urban Society and Urban Problems; Famines, Epidemics and the Government Policy; Tribal and Peasant Movements. (in context of UGC NTA NET Exam Subject History) Chpater 32. Unit VIII - Indian Society in Transition: Religion, Education & Renaissance: Indian Society in Transition: Contact with Christianity (the Missions and Missionaries; Critique of Indian Social and Economic Practices and Religious Beliefs; Educational and Other Activities); The New Education (Government Policy; Levels and Contents; English Language; Development of Science, Technology, Public Health & Medicine – Towads Modernism); Indian Renaissance (Socio-Religious Reforms; Emergence of Middle Class; Caste Associations and Caste Mobility). (in context of UGC NTA NET Exam Subject History) Chpater 33. Unit VIII - Women's Question, Press & Modernization of Arts: Women’s Question (Nationalist Discourse; Women’s Organisations; British Legislation concerning Women, Gender Identity & Constitutional Position); The Printing Press (Journalistic Activity and the Public opinion); Modernisation of Indian Languages and Literary Forms – Reorientation in Painting, Music and Performing Arts. (in context of UGC NTA NET Exam Subject History) Chpater 34. Unit IX - Rise of Indian Nationalism & Movements: Rise of Indian Nationalism: Social and Economic basis of Nationalism; Birth of Indian National Congress; Ideologies and Programmes of the Indian National Congress, 1885-1920 (Early Nationalists, Assertive Nationalists and Revolutionaries); Swadeshi and Swaraj; Gandhian Mass Movements; Subas Chandra Bose and INA; Role of Middle Class in National Movement; Women Participation in National Movement. (in context of UGC NTA NET Exam Subject History) Chpater 35. Unit IX - Communal Politics, Independence & Partition: Left Wing Politics; Depressed Class Movement; Communal Politics (Muslim League and Genesis of Pakistan); Towards Independence and Partition. (in context of UGC NTA NET Exam Subject History) Chpater 36. Unit IX - India after Independence: Challenges & Constitution Making: India after Independence: Challenges of Partition; Integration of the Indian Princely States (Kashmir, Hyderabad & Junagarh); B.R. Ambedkar – The making of the Indian Constitution, its Features; The Structure of Bureaucracy. (in context of UGC NTA NET Exam Subject History) Chpater 37. Unit IX - Post-Independence Policies & Dynamics: New Education Policy; Economic Policies and the Planning process (Development, Displacement and Tribal Issues); Linguistic Reorganisation of States; Centre-State Relations; Foreign Policy Initiatives (Panchsheel); Dynamics of Indian Politics-Emergency; Liberalisation, Privatisation & Globalisation of Indian Economy. (in context of UGC NTA NET Exam Subject History) Chpater 38. Unit X - Historical Method & Research Fundamentals: Historical Method, Research, Methodology and Historiography: Scope and Importance of History, Objectivity and Bias in History, Heuristics Operation, Criticism in History, Synthesis and Presentation; History and its Auxiliary Sciences; History a Science, Arts or a Social Science; Causation and Imagination in History; Significance of Regional History; Recent Trends of Indian History. (in context of UGC NTA NET Exam Subject History) Chpater 39. Unit X - Research Methodology & Historiographical Practice: Research Methodology (Hypothesis in History, Area of Proposed Research, Sources – Data Collection, Primary / Secondary, Original and Transit Sources, Trends in Historical Research, Recent Indian Historiography); Selection of Topic in History, Notes Taking, References, Footnotes and Bibliography, Thesis and Assignment Writing; Plagiarism, Intellectual Dishonesty and History Writing. (in context of UGC NTA NET Exam Subject History) Chpater 40. Unit X - Historiographical Traditions & Modern Theories: Beginnings of Historical Writings (Greek, Roman and Church Historiography); Renaissance and its Impact on History Writing; Negative and Positive Schools of Historical Writing; Berlin Revolution in History Writing – Von Ranke; Marxist Philosophy of History – Scientific Materialism; Cyclical Theory of History – Oswald Spengler; Challenge and Response Theory – Arnold Joseph Toynbee; Post – Modernism in History. (in context of UGC NTA NET Exam Subject History)
Visual Arts Question Bank UGC NTA NET Assistant Professors
Author: Mocktime Publication
language: en
Publisher: by Mocktime Publication
Release Date: 101-01-01
Chpater 1. Introduction to Visual Arts (Part 1): The visual arts consist of creative expression that considers innovation and individuality as its primary determinants; Objects-of-art thus produced with great skill or accomplishment invariably gains a degree of (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 2. Introduction to Visual Arts (Part 2): In contemporary times visual art has moved beyond the singular discipline towards multi-media expressions that have even significantly transgressed the studio and gallery/museum as spaces and the market as its economic determinant; Thus, it now includes and incorporates the applied arts within it, while photography and digital modes are integrated into its world of postmodern practice; On the theoretical perspective, art history and criticism examines and analyses the past and present developments and innovations, providing a contextual awareness to studio-practice about the present and possible future(s), thus integrates all of the above into a holistic understanding of the discipline(s). (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 3. UNIT I - Fundamentals & Composition: Fundamentals of visual art (line, shape, form, space, colour, texture, tonal values, perspective, design etc.); Understanding visual principles of composition (proportion, unity, harmony, rhythm, contrast, balance, foreshortening and emphasis etc.); Representation through two and three dimensions in visual art; Environmental, conceptual and perceptual aspects of art. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 4. UNIT II - Inter-relationship of Visual Arts: Various forms of visual arts and their inter-relationship with other modes of creative expression, e.g. performing art, cinema and literature. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 5. UNIT III - Traditional Mediums & Techniques: Knowledge of traditional medium, materials and techniques, and their application in all disciplines of visual expression – e.g. carving and casting processes; handling of 2 colour/pigment (impasto, glazing, etc.); intaglio/relief print; fresco; preparation of ground for murals, preparation of wasli for miniatures, etc. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 6. UNIT IV - Modern Techniques & Contemporary Practices: Developments in modern techniques, processes and procedures and their application in contemporary visual practices (installation; multi-colour print; computer-aided design – vector & rector; multimedia and digital technologies in art; trompe l’oeil illusory hyperrealism etc.). (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 7. UNIT V & VI - Aesthetics, Art Appreciation & Western Art History: The study of Indian and Western aesthetics and art appreciation; Study of chronological periods from prehistory to post-modern art and artists of the West, with a focus on the various movements that transformed its history. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 8. UNIT VII & VIII (Part 1) - Indian Art History & Contemporary Practices: Study of chronological periods and developments in Indian art from prehistory to the 19th century; Contemporary practices in Indian art during the 20th & 21st centuries with reference to art movements & major exponents. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 9. UNIT VIII (Part 2) & IX - Indian Visual Communication, Art Education & Asian Art: Modern concept of advertising, designing and visual communication; experimental modes in contemporary visual expression; development of art education in India from colonial (British) art schools till the present; The study of art in the Far East, South East and Central Asia and the ancient Near-East. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 10. UNIT X - Traditional, Folk & Tribal Practices: Understanding visual practices of traditional communities and their contemporary transformations – the ‘folk’, ‘tribal’ and craft practices in India. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 11. Elective I: Art History Principles & Methodology: Principles of Art Historical methodology – Formalism; Iconology; Semiotic analysis; Psychoanalytic method in Art History; Gestalt Theory of Visual Perception; impact of theories in class and gender on the discipline; Deconstruction and its transformative role for Art History; contemporary shifts towards a “New” Art History; art history as an evolving discipline in India from colonial period to post-Independent era; introduction of curatorial 3 practices – confluence of museum, gallery and art history; aesthetic theories and their relevance to art historical/critical analysis of the visual object. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 12. Elective I: Indian Iconography (Brahmanical): Antiquity of image worship in India and principles of iconometry; iconography and its development through Vedic to Brahmanical images: Indra, Surya, Agni, Varuna, Kubera, Yama, Ashta-dikpalas, Vishnu, Shiva, Shakti, the Saptamtrikas, Kartikeya, Ganesha, and river goddesses (Ganga and Yamuna) etc. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 13. Elective I: Buddhist & Jain Iconography: Buddhist iconography: the evolution of the Buddha image (including Dhyani Buddhas, Manushi Buddhas, etc.), Bodhisattva (Avalokiteshvara, Manjushri, Maitreya etc.), Tara, Kubera etc.; Jain iconography: Tirthankara (Adinath, Parshvanath, Neminath, Mahavira), Bahubali; Ambika, Saraswati, Yaksha and Yakshi (in the Jain context) etc. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 14. Elective I: Indian Sculpture (Pre-Modern): A comprehensive study of early Indian sculpture from Indus valley civilization to the post- Gupta period – dynasties like Maurya, Sunga, Satavahana, Kushana, Gupta, Pala-Sena, Chandela, Solanki, Parmar, Chalukya, Pallava, Rashtrakuta, Ganga, Chola, Hoysala, etc. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 15. Elective I: Indian Architecture (Early, Stupas & Caves): Early Indian architecture (with reference to ancient literature and shilpa texts): Indus valley; Maurya Origin and development of the stupa: Bharhut, Sanchi, Sarnath and Amaravati; Evolution of rock-cut caves (Lomas-rishi, Khandagiri, Udaigiri, Bhaja, Karle, Kanheri, Ajanta, Elephanta, Ellora and Mamallapuram). (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 16. Elective I: Indian Temple, Imperial & Modern Architecture: Evolution of temple architecture & their classification into Nagara, Dravida and Vessara categories: Gupta temples; Orissan developments (Parashurameshwara, Mukteshvara, Lingaraj and Konark); Chandella, Pratihar, Parmara and Solanki temple styles; Chalukyan, Rastrakuta and Hoysala temple architecture (including Virupaksha, Kaliashnatha in Ellora, Hoyasaleshvara; Pallava monolithic and structural temples; Chola temples; Martand Sun temple in Kashmir; Imperial architecture during Sultanate & Mughal rule: features of provincial Indo-Islamic architecture; Mughal architecture (Humayun’s Tomb, Fatehpur Sikari and Sikandra, Taj Mahal, Red Fort and Jama Masjid); Colonial & Modern architecture: Le Corbusier, Charles Correa, B.V. Doshi and others. 4. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 17. Elective I: Indian Painting (Pre-Modern): A comprehensive study of pre-historic painting, wall paintings at Ajanta and later mural tradition (Bagh, Badami, Ellora, Sittanvasal, Lepakshi, Kerala murals such as Mattancherry palace etc.); manuscript painting & the miniature traditions: Eastern and Western Indian manuscripts; Sultanate painting (the Chaurpanchasika and pre-Mughal schools), Mughal miniature painting from Akbar to Shah Jahan; Rajasthani miniature painting; Pahari miniature painting ; Deccani painting (Ahmednagar, Bijapur and Golconda). (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 18. Elective I: Modern Indian Art: Modernity in Indian Art; Ravi Varma; E.B. Havell, A.K. Coomaraswamy, Stella Kramrisch, Abanindranath Tagore and the “Bengal School”; Nandalal Bose, Benodebehari Mukherjee and Ramkinkar Baij; Amrita Sher-Gil; Jamini Roy; the 1940s artists’ collectives: Calcutta Group (Kolkata), Progressive Artists Group (Mumbai), Delhi Shilpi Chakra (Delhi), Cholamandala Artists’ Village (Chennai); Indigenism and the trends in 1950s and 1960s; trends in abstraction since the 1970s; the 20th & 21st century contemporary trends towards globalization (including the introduction of installation, performance, digital/video etc.) with a study of select individual artists. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 19. Elective I: Western Art (Ancient to Romanticism): Overview of Western art from prehistory to the present: Prehistoric art, art in ancient Egypt, Aegean art, Greece and Rome; Early-Christian and Byzantine art; Romanesque and Gothic art; Renaissance painting and sculpture; Mannerism and Baroque painting and sculpture; Rococo, Neoclassicism and Romanticism. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 20. Elective I: Western Art (Modern & Post-Modern Movements): Modern movements including Realism, Impressionism, Post-Impression, Fauvism, Expressionism, Cubism, Constructivism, Futurism, Dada and Surrealism, Abstract Expressionism, Op art, Pop art; Post-modern developments including, Minimal and Conceptual Art, Fluxus movement, Arte Povera, Body art, Land and Environment Art, Graffiti, Process art, Performance art, Installation, Neo-figuration, Happening, Feminist and Gay art. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 21. Elective I: Art of Ancient Near-East & Far East/Central/South-East Asia (Part 1 - Mesopotamia, Persia, China): Visual expression from ancient Mesopotamia (Sumer, Akkad, Babylonia, Assyria); art in Achaemanid and Sassanian Persia; Introduction to cultural exchange between India and these ancient cultures and the emergence of distinctive visual expressions: ancient China (Shang, Zhou, and Han dynasties); Buddhist sculpture from upto Tang dynasty; Six Dynasties and Tang painting; Chinese landscape tradition from Song to Qing. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 22. Elective I: Art of Far East/Central/South-East Asia (Part 2 - Japan, Tibet, Nepal, Sri Lanka, Cambodia, Java, Myanmar/Thailand): Japan (Haniwa pottery figures; Buddhist sculptures from Nara to Kamakura periods); late Heian and Kamakura painting including the Tale of Genji and the Heiji Monogatari Emaki scrolls; Japanese scroll painting in the Momoyama & Edo periods; ukiyo-e woodblock prints from the Edo period); Tibet (Buddhist icons and the thangka painting tradition); Nepal (Buddhist and Brahmanical sculptures and painting); Sri Lanka (sculpture and painting – including Sigiriya murals); Cambodia (sculpture and architecture, 5 especially Angkor Wat and Angkor Thom); Java (sculpture and architecture, including the Dieng plateau candi-s, the Borobudur stupa, and Prambanan complex); Buddhist art in Myanmar/Burma and Siam/Thailand etc. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 23. Elective I: Indian Folk and Tribal Art: Phad, Pichhwai and Kavad painting (Rajasthan); Pata painting in Bengal and Orissa; Madhubani/Mithila painting (Bihar), Warli painting (Maharastra), Pithora painting (Gujarat); Dhokra bronze casting; votive terracotta objects (including votive horses offered across various states in India); wood carving and wooden dolls (Kondapalli, Karnataka, Bengal, Madhya Pradesh); leather puppets (Andhra Pradesh, Karnataka); traditional and modern textiles and functional objects (textiles of Banaras, Kanchipuram, Gujrat, Orissa, and the North-Eastern states; tie-and-dye fabrics; embroidery; kantha, Phulkari, Chamba rumal; metal-ware including Bidri, repousse, enamelling; jewellery including jade, beads etc. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 24. Elective II: Drawing & Painting Aesthetics (Fundamentals & Indian): Fundamental elements of drawing and painting. Imagery in visual arts. Origin and development of art (visual). Classification of Arts. Conceptual and Visual reality. Relevance of study of aesthetics in painting: The early philosophical thoughts in Indian Culture. Nature and Function of Art in the society. Indian aesthetics: Concept of Ras-Sutra and its commentaries: The Theory of Rasa, Sadharanikarana, Dhvani, Alankara, Auchitya,etc; shilpa texts like the Chitrasutra of the Vishnudharmottara Purana, Shadanga from Yashodhara’s commentary on the Kamasutra, etc.; A.K. Coomaraswamy and Rabindranath Tagore’s contributions towards Indian aesthetics. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 25. Elective II: Western Aesthetics (Theories & Philosophers): Theory of imitation and representation, catharsis (Plato and Aristotle). Aesthetical views of Kant, Hegel, Croce, Tolstoy, Baumgarten, Schopenhauer, Clive Bell, Roger Fry, I. A. Richards, Susanne Langer, Sigmund Freud, and George Santayana. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 26. Elective II: History of Indian Painting (Ancient to Company School): Prehistoric Paintings in India, Wall paintings of Ajanta, Bagh, Badami and Sittanavasal. Manuscript painting tradition Pala and Western Indian. Tradition of Miniature paintings: Pre-Mughal, Mughal, Rajasthani, Pahari (Basohli, Guler-Kangra and Garhwal) and Deccani painting (Ahmendagar, Bijapur & Golconda). Company School of painting. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 27. Elective II: Modern Indian Painting & Trends: Advent of Modernism with Raja Ravi Varma, Bengal School: Abanindranath Tagore and his disciples, Nandalal Bose and his disciples. Breakthrough in Indian painting: Contribution of Amrita Sher-Gil. Progressive artist group – Bombay, Calcutta Group – Calcutta, Shilpi Chakra – Delhi, Chola mandala – Madras and Baroda School – Baroda. In Indian Art the Major trends of Indigenous since 1970, Contemporary painting and eminent artists: Impressionistic, Expressionistic, Abstraction, Decoration, Neo-Tantric, Figurative and Non-figurative, Surrealistic, Representational and Non-representational painting. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 28. Elective II: Western Painting History (Comprehensive Overview): Prehistoric paintings of France and Spain. Egyptian, Aegean Art, Greece and Roman painting. Byzantine, Gothic, Renaissance, Mannerism, Baroque, Rococo, Neo- Classicism, Romanticism, Realism, Impressionism, Post Impressionism, Fauvism & Symbolism, Cubism, Futurism, Dada & Surrealism Expressionism, Abstract Expressionism, Op and Pop Art, Minimal Art & Post Modern Trends, New Media, Installation and Illusory Hyper Realism, etc. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 29. Elective II: Drawing & Painting Material & Method: Application of Materials, Support in Painting (Canvas, Paper, Wall surface, Panels), Mix media. Oil painting and its technique – Traditional and Non-traditional. Techniques of Wall paintings – Traditional (Fresco Secco and Buono) and Modern. Water color painting, wash technique, pastel and crayon, Acrylic color, color preparation and technical aspect of pigments. Color theory and color harmony. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 30. Elective II: Art Schools & Art Education in India: The introduction of formal training in art through Colonial Art Schools, and the transition from Colonial understanding to Post-Independent art education in the art schools at Chennai, Kolkata, Lahore, Mumbai, Delhi, Lucknow, Jaipur; art promotion and education through art academies; rethinking institutional art education at Santiniketan and Baroda; role of art galleries and museums in art education; increase in curatorial venture as a collaboration between the museum, galleries and practicing artists and historians; role of art journals and magazines in the dialogue between viewing public and the artist. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 31. Elective III: Applied Art (Basics, Terminology & Typographic History): Elements & principles of design; The term ‘Graphic Design’ and William Addison Diggings; Basics of Graphic Design/Applied Art: Image and Text; Developing message to promote product. Terms and terminologies relevant to advertising Industry: Understanding of the ‘Portmanteau’ terms such as, Advertorials, Info graphics, Infomercials, Edutainment etc. Innovations and Movements History of advertising in India and rest of the world; Calligraphy, Advent of moveable types, Typefaces, fronts and families; Architecture and anatomy of letters; Classifications of types and size, Early Typographers and study of traditional hand writing and script like Indian manuscripts, Persian, Chinese, Japanese and Roman etc. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 32. Elective III: Printing Processes & Influential Design Movements: Development of printing processes in India and rest of the world: letterpress, gravure, silkscreen and Offset etc. Movements that influenced graphic design: Art Nouveau, The Art of War), The ISMs of Art: Futurism, Dada, De Stijl, & Constructivism, Art and Craft movement, Bauhaus movement and new typography, history of graphic design and the nature of advertising history, Illustrated Modernism & Psychedelia, New Wave and Post Modernism, Digital Expressionism & Postscript, The Digital Future. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 33. Elective III: Advertising Forms, Media, Posters & Cultural Frames: Print, outdoor, electronic and new media advertising; Media Options: newspapers and magazines, radio, TV and cinema, posters, Direct Mail, Ambient and Guerrilla advertising, digital and online advertising. Viral Advertising. Boom in Outdoor advertising: billboards and transits, innovative Materials and advantages. Emergence of Poster as a ‘new genre of art’: Study of posters with reference to Poland, Japan, UK and America and Bolshevik Russia. Placards and propagandas, Protest and Wartime posters, Subway culture. Cultural frames of advertising phases: Idolatry, Iconology, Narcissism, and Transition from ‘Totemism’ (the fourth cultural frame) to ‘Mise-en-Scene’ (Fifth Frame); Evolution from Traditional to Industrial to Consumer society & development of communications media. Future of advertising and advertising agencies. Blurring the lines between advertising and entertainment; The impact of Graphic Design with advance technology; Re-defining “Graphic design”; Attributes needed by the modern designers. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 34. Elective III: Design Campaign, Packaging, Printing Processes & Corporate Advertising: Designing of logo, rebus, symbol, mark and corporate identity; stories behind the development of most well-known symbols/identities the world; Brands, rebranding and brand positioning; Precursors and prophets of advertising theories and principles; Designing events –Event Mascots and other global entertainments, films and festivals. Campaign planning and strategy: the client, market research, account planning, creative brief. Developing visuals and messages for print-ads, Direct Mail, posters, outdoor advertising, merchandising, show-windows and supermarket items (Point of sales / Point of Purchase items, dispensers, stands, stalls etc.) Media selection, Approaches& the target audience. Innovations in media. New technologies, TV graphics, multimedia presentation, web-page designing and understanding of rector and vector software; Internet – its use in advertising products and services, net marketing. Prepress, Printing presses, and Post-press: manipulations of pixels and resolutions, colour corrections, knowledge of computer-to-plate graphic reproductions, offset printing, Finishing and Converting. Additive and subtractive colours, four colour printing mechanics, Spot Colours and Lainations, UVs etc. Design of packaging, merchandising and novelties. Origin and growth of advertising agencies: Role and responsibilities of a Graphic designer. Creative core: Creative/Art Director, Visualizer, and Copywriter, interaction in developing concepts. World’s leading Advertising Corporates, Multinationals and Indian scenario: Indian Advertising Agencies with all India branches. Ad-Gurus or remarkable Ad-Men and epoch making advertising campaigns by them. Highest honours, Awards in the advertising creativity and extraordinary contribution. Famous designers of the world on branding and corporate identity design, Film titles. Interdisciplinary participation approach with disciplines of art, collaboration and internship with industries and corporates. Computers and its role in creating new visual effects (Photography, Digital Graphics, Film titles, Multimedia presentations, Image Editing, Web Graphics and types of online Advertising, Web page designing); Importance of market research in advertising. Print media vs. Electronic Media. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 35. Elective IV: Printmaking (Aesthetics, History, Relief & Intaglio Techniques): Understanding of fundamentals of visual art (space, form, size, shape, line, colour, texture, tonal values, perspective, design and aesthetic) in relation to print making. Understanding visual principles of composition (proportion, unity, harmony, rhythm, contrast, balance and emphasis). Reproduction of two dimensional identical prints. Knowledge of history, invention, development and definition of print making (Graphic Art) process, techniques and materials in Asia and Europe. Japanese woodcuts and important masters of Ukiyo-e School and works of masters such as Hokusai, Hiroshige, Utamaro etc. Print making as a mode of creative expression during 19th –20th century from book production to establishing of atelier/workshops, groups, experiments and influences on advertising. Relief techniques (wood-cut and lino-cut); Intaglio techniques (wood and metal engraving, etching – line, aquatint, soft ground, etc., dry-point, mezzotint). (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 36. Elective IV: Printmaking (Surface, Stencil, Other Techniques, Materials & Western Masters): Surface printing (planography, offset, oleograph etc.), Stencil and serigraph; Other techniques- colography, chine-collé, monoprint, unique print, viscosity, digital imaging, mix medium etc. Knowledge on use of different kinds of mediums, materials and printing process used in print making (wood, lino, copper, zinc, plywood, stone, acrylic, paper, cardboard, gum, acids, chemicals, ink, resin, software, tools, machine, equipment etc.). Preparation of different types of surface from identification of material to designing till printing. Knowledge of works of master print makers and their contribution in development of printmaking from historic to modern like Durer, Rembrandt, Hogarth, Goya, Gauguin, Degas, Lautrec, Daumier, German expressionists (Kathe Kollwitz, Nolde, Heckel, Grosz, Munch etc.), Picasso, Pop and figurative artists (Rauschenberg, Lichtenstein, Jim Dine), David Hockney, Krishna Reddy, Peter Daglish, Stanley Jones, Paul Lingren, Carol Summers etc. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 37. Elective IV: Indian Printmaking & Contemporary Issues: Development of Printmaking in India, contribution and influence of British during colonial period, establishment of press and schools, popular printmaking in mid-19th century till pre independence. Print making trends in India post independence. Contribution of Indian print makers: Raja Ravi Varma, member of Vichitra club, Mukul Dey, Gangendranath Tagore etc. Santiniketan School, Nandalal Bose, Binode Behari Mukherjee, Ramkinkar, Biswarup Bose, Ramen Chakraborty, Haren Das, Somnath Hore, Chittaprasad, Jyoti Bhatt, Kanwal Krishna, Devyani Krishna, Y.K. Shukla, Vasant Parab, Jagmohan Chopra, Paramjeet Singh, Lalita Lajmi, Naina Dalal, Laxma Goud, R.B. Bhaskaran, R.M. Pallaniappan, Sanat Kar, Lalu Prasad Shaw, Amitabh Banerjee, Debraj Dakoji, Bhupen Khakhar, Waman Chincholkar, Paul Koli, Deepak Banerjee, Jai Zharotia, Prayag Jha, Rini Dhumal, Anupam Sud, Jayant Parikh, Kanchan Chander etc. Good quality prints - criteria (technically and aesthetically), conventions to identify the authenticity of prints – signature, editions, artists proof etc. Display - mounting and preservation of prints. Various issues related to the contemporary printmaking (mechanical production, computer graphics, influences of advertising, atelier, workshops and groups etc.). (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 38. Elective V: Sculpture (Fundamentals, Aesthetics, History & Clay/POP Media): Fundamentals and elements of sculpture; origin and development of imagery in sculpture; classification of sculpture; sculptural form vis-a-vis conceptual reality. Relevance of the study of aesthetics for sculptural practice: the early philosophical ideas in India and the West; the role and function of sculpture in the society. History of sculpture in Western and Oriental traditions; traditional sculptural program as integral part of architectural structures such as churches, temples and secular buildings. Study of form, material, methods, and techniques relevant to sculptural practice; clarity of understanding of terminologies related to the art of sculpture. Study of varied media in sculptural practice: 1. Clay and wax: Preparation of natural clay for sculpture; modelling and casting with clay; terracotta & firing of clay; types of kilns; possibilities in the range of colours and pigments in ceramic works; two-dimensional and three-dimensional modes in clay sculptures; modelling and carving in wax. 2. Plaster of Paris (POP): History, chemical composition and physical nature of POP; advantages and disadvantages of working with POP; accelerating and retarding agents; surface treatment of POP; casting and carving in POP. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 39. Elective V: Sculpture (Wood, Stone & Metal Techniques): 3. Wood: Nature and varieties of wood; carving tools and methods of carving for sculpting in wood; seasoning and preservation of wood; finishing and staining of wood. 4. Stone: Origin of sculpting in stone; tools and equipment, methods and approach relevant to stone carving; treatment and preservation of stone against weathering. 5. Metal: History of metal sculptures; processes involved in the use of metal as medium for sculpture; physical properties and classification of metals as ferrous and non-ferrous, alloy, etc.; bronze as the primary sculptural metal; the Lost-wax method (cire-perdue); indigenous methods including “gravity casting”, “sand casting”, etc.; melting points of metals; surface treatment viz. anodising, oxidation and patination; welding and forging processes for working with metals; preservation of metal sculptures. (in context of UGC NTA NET Exam Subject Visual Arts) Chpater 40. Elective V: Sculpture (Assemblage, Installation, Monumental & Key Sculptors): Assemblage and Installation: History & background of mix-media; new hybrid forms of 1960’s and more recent developments; public sculptures; environmental art. Monumental sculpture: Scope, problems, limitations, concept and development; eminent exponents such as D.P. Roychowdhary, Ramkinkar Baij, Prodosh Dasgupta, Sankho Chaudhurai, Piloo Pochkhanawla, Chintamoni Kar, Sarbari Roy Chowdhury, Amarnath Sehgal, Dhanraj Bhagat, Kanayi Kunhiraman, M. Dharmani, Nagji Patel, Balbir Singh Katt. Contemporary Indian Sculptors: Combine indigenous knowledge with new materials and techniques; select individuals – B.C Sanyal, Somnath Hore, K.G. Subramanyan, Biman B. Das, Meera Mukherjee, Raghav Kaneria, Himmat Shah, Latika Katt, Jeram Patel, Ajit Chakraborty, Sushen Ghose, Satish Gujral, Ved Nayar, P.V Janakiram, Shiv Singh, Balan Nambiar, S. Nandgopal, Mahendra Pandya, Rajnikant Panchal, Mrinalini Mukherjee, K.S. Radhakrishnan, S. Nandgopal, Dhruva Mistri, Pritpal Singh Ladi, Anita Dube, Ravindra Reddy, N.N. Rimzon, Pushpamala N., Sudarshan Shetty, Subodh Gupta , Anish Kapoor, etc. Contribution of select modern & contemporary sculptors from the West: Honore Daumier, Auguste Rodin, Camille Claudel, Paul Gauguin, Aristide Maillol, Antoine Bourdelle, Henri Matisse, Ernst Barlach, Constantin Brancusi, Pablo Picasso, Aleksandr Archipenko, Raymond Duchamp-Villon, Jacques Lipchitz, Henri Laurens, Umberto Boccioni, Vladimir Tatlin, Naum Gabo, Sophie Tauber, Jean Arp, Max Ernst, Antoine Pevsner, Alexander Calder, Henry Moore, Barbara Hepworth, David Smith, Louise Bourgeois, Isamu Noguchi, Alberto Giacometti, Cesar, Marino Marini, Lucio Fontana, George Segal, Claes Oldenburg, Anthony Caro, Tony Smith, Donald Judd, Carl Andre, Eva Hesse, Duane Hanson, Judy Chicago, Joel Schapiro, Barry Flanagan, Georg Baselitz, Jimmie Durham, Jeff Koons, Kiki Smith. (in context of UGC NTA NET Exam Subject Visual Arts)
Social Medicine And Community Health Question Bank UGC NTA NET Assistant Professors
Author: Mocktime Publication
language: en
Publisher: by Mocktime Publication
Release Date: 101-01-01
Chpater 1. History of Social Medicine and Community Health; History of Public Health and Its Milestones. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 2. Comprehensive Health Care; Social Development and Health; Dimensions and Determinants of Health. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 3. Concepts and Indicators of Health and Wellbeing; Natural History of Disease; Levels of Prevention. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 4. Globalisation and Its Impact on Health; Roles and Responsibility of State, Community and Private Sector in Health. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 5. Health Committees and Development of Health Services in Independent India; Constitutional Provisions, Federal Structure and Social Security. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 6. National Health Policies (1983, 2002, 2017), Population Policy, Nutrition Policy, and Policy on Indian Systems of Medicine and Homeopathy, 2002. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 7. Important Health Legislations in India; Health Infrastructure in India—Public, Private, and Charitable, Public Private Partnership(PPP). (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 8. Health financing and Health insurance, Out of Pocket expenditure; Civil society and Social Movements in Health. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 9. Basic concepts and definitions in Epidemiology; Types of epidemiology; Uses of epidemiology; Measurements in epidemiology. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 10. Epidemiological Study Designs; Screening and surveillance; Validity of Screening and Diagnostic tests. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 11. Causation, Association and Biases; Investigation of an epidemic. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 12. Basic concepts in Bio statistics; Types of data and data sources for Public Health; Sampling techniques and sample size estimation. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 13. Probability and Tests of significance; Data analysis, presentation and interpretation in Bio-statistics. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 14. Definition, Scope, Concepts and Significance of Social, Economic, Cultural and Behavioral factors on Health and Disease. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 15. Social Theories of Causation of Disease; Implications of Social Structure and Socio-economic Status for Health. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 16. Political and Economic Aspects of Health; Health Perceptions and Behavior; Health Economics. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 17. Qualitative Research Methodology; Social Work Approach in Health Care. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 18. Epidemiology of Communicable Diseases—Common, Emerging and Re-emerging diseases, Hospital acquired infections, Antimicrobial resistance. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 19. Epidemiology of Non-Communicable Diseases—Cardio-vascular diseases, Diabetes, Cancers, Rheumatic heart disease, Blindness, Mental Health, Occupational Diseases, Genetic diseases. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 20. Epidemiology of Accidents, Injuries and Disasters; All National Health Programs and data sources. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 21. Environment and Health: Water and sanitation; Environmental pollution and Health impacts; Built environment and Housing. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 22. Environment and Health: Climate change and impact on health; Waste management; Hospital waste management. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 23. Nutrition: Ecology of malnutrition; Assessment of Nutritional status; Nutritional diseases and their management. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 24. Nutrition: Food and nutrition security and related legislations; National Nutrition programs; Socio cultural aspects of nutrition. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 25. Nutrition: Food safety, Food standards and related legislations; Social determinants of Health. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 26. Demography and Family Planning: Definition, concepts and indicators related to demography and family planning; Demographic cycle; Size, composition and distribution of India’s population. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 27. Family Planning: Approaches and methods of contraception; Evolution of National Family Welfare Program. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 28. Family Planning: Social issues related to Family Planning; Felt need and unmet need in Family planning; Social marketing in family planning; Counseling in Family planning; PC and PNDT Act-1994; MTP Act 1971. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 29. Reproductive and Child Health: Evolution of Maternal/ Reproductive and child Health programs; Safe motherhood and essential newborn care with related schemes and programs. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 30. Women's and Children's Health: Gender issues in women’s health; Major health problems of children in India and related National Health Programs. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 31. Youth Health and Rights: Adolescent health and related schemes and programs; Rights of child and related schemes and Programs; School Health Programme. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 32. Health Education/IEC/BCC: Concepts, objectives and approaches of health education; Methods, modes and barriers of communication. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 33. Health Education Programs: Planning, Management and Organization of health education programs; Role of media in Health Education. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 34. Information Technology in Health: E-medicine, Distance education and associated legal issues; E Health and m Health. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 35. Health Systems Research, Planning and Management: Health planning and management; Health systems research- Operations Research, System analysis, Health Technology assessment, Monitoring and Evaluation. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 36. Health Information and Team Management: Health Management Information System; Medical and Social Audits; Health teams and their management. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 37. Health Resources, Policy, Quality, Ethics and Training: Human Resources in Health; Role of Ayush in local Health traditions; Health policy studies; Quality assessment of Health Services- parameters and standards; Ethics in Health Care; National Institutes of Public Health Research and Training. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 38. International Health Landscape: Health problems of developed and developing countries and Health problems of South East Asia region. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 39. Global Health Governance and Travel Medicine: International agencies in Health and Emporiatrics. (in context of UGC NTA NET Exam Subject Social Medicine And Community Health) Chpater 40. Global Health Approaches and Goals: Health for All approaches - Primary Health Care (1978) to Universal Health Coverage, Millennium Development Goals (MDG) and Sustainable Development Goals (SDG). (in context of UGC NTA NET Exam Subject Social Medicine And Community Health)