Hera Pheri
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Hindi Cinema
Hindi Cinema is full of instances of repetition of themes, narratives, plots and characters. By looking at 60 years of Hindi cinema, this book focuses on the phenomenon as a crucial thematic and formal code that is problematic when representing the national and cinematic subject. It reflects on the cinema as motivated by an ongoing crisis of self-formation in modern India. The book looks at how cinema presents liminal and counter-modern identities emerging within repeated modern attempts to re-enact traumatic national events so as to redeem the past and restore a normative structure to happenings. Establishing structure and event as paradigmatic poles of a historical and anthropological spectrum for the individual in society, the book goes on to discuss cinematic portrayals of violence, gender embodiment, religion, economic transformations and new globalised Indianness as events and sites of liminality disrupting structural aspirations. After revealing the impossibility of accurate representation of incommensurable and liminal subjects within the historiography of the nation-state, the book highlights how Hindi cinema as an ongoing engagement with the nation-state as a site of eventfulness draws attention to the problematic nature of the thematic of nation. It is a useful study for academics of Film Studies and South Asian Culture.
Amitabh
A remarkable insight into the films and times of India's greatest star-actor In an industry where fashions change every Friday, Amitabh Bachchan has been synonymous with cinematic entertainment for over thirty years. But beyond the labels of 'one-man industry' and 'star of the millennium', a number of issues pertaining to the star, his films and his era remain largely unaddressed. What is it that makes Amitabh Bachchan the star he is? Is it his undeniable genius as an actor, his ability to connect with the masses and the classes alike, or is it his writers and directors who project him in varied roles? Did his films in his heyday reflect the angst of his time, or did they ferment the spirit of anger and rebellion in the first place? Was he really the rebel as his 'angry young man' image suggests, or was there, behind all the sound and fury, a conformist subtext that called for restoration of the status quo? How relevant is Amitabh Bachchan today? In Amitabh: The Making of a Superstar, Susmita Dasgupta answers these and other questions that lie buried in the trail of glory the star blazed. In a warm and insightful analysis, the author traces the world-view and philosophy that have shaped the films of Amitabh Bachchan-from the angry young man of Zanjeer, the tragic antihero of Deewar and the entertainer of Amar Akbar Anthony to his more conservative turns in Mahabbatein and Kabhi Khushi Kabhie Gham. In the process, she not only chronicles the star's journey from a flop actor to a national icon but also brings to life a period in the history of Indian cinema which altered forever the economics of film-making in the country.
Once Upon A Prime Time
In Once Upon A Prime Time, Ananth Mahadevan pens the memoirs of his journey on Indian television. From first hand experiences with film makers who were the founding fathers of television serials, to today's consumerism driven shows, he has tasted them all. The book reads like an autobiography yet covers virtually every major player who was responsible for the nostalgia that Indian television now evokes. It incorporates exclusive moments with many celebrities and award winning directors. Join the actors on their sets as they perform for television and learn about the stories that made the shows come to life. Covering artistes and makers who impacted our world, such as Amitabh Bachchan, Hrishikesh Mukherjee, Sai Paranjpye, Basu Chatterjee, Kundan Shah, Ravi Chopra, Ramesh Sippy , Farooque Shaikh, Aziz Mirza, Gulzar and Govind Nihalani. The book is in all probability, the first ever story of Indian television. Besides taking one down memory lane, this could be a throwback for all those connected with the medium, past and present. It gives you a feeling of travelling through time and watching history being made – behind the scenes. "The book reads like an autobiography, but covers every major player who was responsible for the nostalgia that Indian television now evokes." - Hema Malini