He City As Muse
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Baudelaire and Intertextuality
Author: Margery A. Evans
language: en
Publisher: Cambridge University Press
Release Date: 1993-01-07
This 1993 reading of Baudelaire's Le Spleen de Paris is a response to Baudelaire's own challenge to read his text as one in which 'everything ... is head and tail, alternately and reciprocally'. Margery Evans proposes that Le Spleen de Paris serves to question the conventions of prose forms such as the unitary narrator, the extended plot, and the artifice of beginnings and endings. She shows how Baudelaire's text probes the relationship between individuality and conformity to pre-existing codes, both in literature and in the world, and how the giant metropolis provides a symbol of that drama. Dr Evans explores the interconnections between the prose poems which make up Le Spleen de Paris and their intertextual relations with other, mostly prose, works, and argues that this anomalous, hybrid work raises far-reaching questions of relevance to narratology and to literary theory as a whole.
The City Muse
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The Diary of Rocco Pascarelli
Rocco Pascarelli is the son of Chicago Mafia boss, Angelo Pascarelli. When his father is indicted for murder and racketeering, Rocco leaves home to join the Army and escape the shackles of his fathers past. He finds a home and moves up the enlisted ranks to become a respected operator in America's elite counter terrorist unit known as Delta Force. When Rocco is severely injured at the Pentagon on 9/11, Angelo seeks revenge for the attack. His efforts uncover evidence of another impending attack which he anonymously forwards to Rocco's boss at the Unit. Things get hairy as terrorists bring dirty bombs into the United States, hoping to detonate in three key cities.