Gunshots In My Cook Up
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Gunshots in My Cook-Up
Author: Selwyn Seyfu Hinds
language: en
Publisher: Simon and Schuster
Release Date: 2004-01-06
With the fine strokes of a novelist, editor-in-chief of The Source and lifelong devotee of Hip Hop, Hinds, exposes the personalities as well as the appeal and controversy of a pop culture that has swept the globe. Revealing the lonely side of Lauryn Hill, the pensive, controlling tendencies of Puffy Combs, the tender side of gansta rapper Dr. Dre, and the creative energy of Wyclef Jean, Hinds goes far beyond the celebrities: his unflinching eye takes in the whole of Hip Hop and its impact. Beautifully written and refreshingly original.
A Mexican State of Mind
Author: Melissa Castillo Planas
language: en
Publisher: Rutgers University Press
Release Date: 2020-03-13
A Mexican State of Mind: New York City and the New Borderlands of Culture explores the cultural and creative lives of the largely young undocumented Mexican population in New York City since September 11, 2001. Inspired by a dialogue between the landmark works of Paul Gilroy and Gloria Anzaldúa, it develops a new analytic framework, the Atlantic Borderlands, which bridges Mexican diasporic experiences in New York City and the black diaspora, not as a comparison but in recognition that colonialism, interracial and interethnic contact through trade, migration, and slavery are connected via capitalist economies and technological developments. This book is based on ten years of fieldwork in New York City, with members of a vibrant community of young Mexican migrants who coexist and interact with people from all over the world. It focuses on youth culture including hip hop, graffiti, muralism, labor activism, arts entrepreneurship and collective making.
Secular Devotion
Popular music in the Americas, from jazz, Cuban and Latin salsa to disco and rap, is overwhelmingly neo-African. Created in the midst of war and military invasion, and filtered through a Western worldview, these musical forms are completely modern in their sensibilities: they are in fact the very sound of modern life. But the African religious philosophy at their core involved a longing for earlier eras-ones that pre-dated the technological discipline of labor forced on captive populations by the European occupiers. In this groundbreaking new book, Timothy Brennan shows how the popular music of the Americas-the music of entertainment, nightlife, and leisure-is involved in a devotion to an African religious worldview that survived the ravages of slavery and found its way into the rituals of everyday listening. In doing so he explores the challenge posed by Afro-Latin music to a world music system dominated by a few wealthy countries and the processes by which Afro-Latin music has been absorbed into the imperial imagination.