Groucho And W C Fields

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Groucho and W. C. Fields

Author: Wes D. Gehring
language: en
Publisher: Univ. Press of Mississippi
Release Date: 2007-11
Before Groucho Marx and W. C. Fields American comedy was innocent. After they left their hilarious smudges on the genre, comedy was anything but. Here in a captivating book comparing and contrasting these two premier American comics is the history of how flimflam came to prevail as a major comic form. These two comic geniuses excelled at a new brand of shtick, antiheroic humor that killed off the tame demeanor of their many predecessors in show business. By derailing the comedy oof innocence, Groucho and Fields brought film comedy to its Golden Age.
The Groucho Letters

Donated to the Library of Congress in the mid-1960s, Groucho Marx's correspondence was first crafted into this celebration of wit and wisdom in 1967. Reissued today with his original letters and humor intact, The Groucho Letters exposes one of the twentieth century's most beloved comedian's private insights into show biz, politics, business, and, of course, his illustrious personal life. Included are Marx's conversations with such noted personalities as E. B. White, Fred Allen, Goodman Ace, Nunnally Johnson, James Thurber, Booth Tarkington, Alistair Cooke, Harry Truman, Irving Berlin, and S. J. Perelman. To Confidential Magazine Gentlemen: If you continue to publish slanderous pieces about me, I shall feel compelled to cancel my subscription. Sincerely, Groucho Marx
Groucho Marx

Born Julius Marx in 1890, the brilliant comic actor who would later be known as Groucho was the most verbal of the famed comedy team, the Marx Brothers, his broad slapstick portrayals elevated by ingenious wordplay and double entendre. In his spirited biography of this beloved American iconoclast, Lee Siegel views the life of Groucho through the lens of his work on stage, screen, and television. The author uncovers the roots of the performer’s outrageous intellectual acuity and hilarious insolence toward convention and authority in Groucho’s early upbringing and Marx family dynamics. The first critical biography of Groucho Marx to approach his work analytically, this fascinating study draws unique connections between Groucho’s comedy and his life, concentrating primarily on the brothers’ classic films as a means of understanding and appreciating Julius the man. Unlike previous uncritical and mostly reverential biographies, Siegel’s “bio-commentary” makes a distinctive contribution to the field of Groucho studies by attempting to tell the story of his life in terms of his work, and vice versa.