Grey Story Background
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65+ Russian Short Stories. Classic collection - The Dream of a Ridiculous Man, Notes from the Underground, A Confession, The Death of Ivan Ilyich, The Gentleman from San Francisco, First Love, The Mantle, The Embroidered Towel, The Beer Story and Others Stories
Author: Fyodor Dostoevsky
language: en
Publisher: Strelbytskyy Multimedia Publishing
Release Date: 2022-06-22
Russian short stories are known for being melancholy, often dealing with suffering. However, they can also be funny and absurd. Some common subjects include class distinctions, the plight of the underdog, and a rejection of authoritarianism and bureaucracy. This collection of Russian short stories includes: Fyodor Dostoevsky: Notes from the Underground The Dream of a Ridiculous Man The Beggar Boy at Christ's Christmas Tree Leo Tolstoy: The Death of Ivan Ilyich Kholstomer, the Story of a Horse Alyosha the Pot A Letter to a Hindu A Confession God Sees the Truth, but Waits A Russian Christmas Party Anton Chekhov: Kashtanka Gusev The Darling The Lady with the Dog A Slander The Horse-Stealers The Petchenyeg A Dead Body A Happy Ending The Looking-Glass Old Age Darkness The Beggar In Trouble Frost Minds in Ferment Gone Astray An Avenger The Jeune Premier A Defenceless Creature An Enigmatic Nature A Happy Man A Troublesome Visitor An Actor's End A Story Without a Title Vanka Ivan Turgenev: First Love The District Doctor Mumu Nikolay Gogol: The Mantle Memoirs of a Madman The Nose A May Night The Cloak The Viy Christmas Eve Alexsandr Pushkin: The Queen of Spades Maxim Gorky: One Autumn Night Her Lover Leonid Andreyev: Lazarus The Little Angel Aleksandr Kuprin: The Outrage Mikhail Bulgakov: The Cup of Life Komarov Case Moscow Settings Psalm Moonshine Springs Seance Shifting Accommodation The Beer Story The Embroidered Towel Ivan Bunin: The Gentleman from San Francisco The Grammar of Love Gentle Breathing Son An Unknown Friend Mikhail Saltykov-Shchedrin: How a Muzhik Fed Two Officials
Stories (130+)
Author: Anton Chekhov
language: en
Publisher: Strelbytskyy Multimedia Publishing
Release Date: 2021-01-08
Stories by Anton Chekhov are short, but deep idea and complexity of literature composition are hidden behind their simplicity. Compactness, outstanding humour, irony and rich content make the stories unique with no equals in the world literature. Maksim Gorky wrote: “Nobody but Anton Chekhov understood so clearly and delicately the tragedy of little things of life, nobody before him could so grimly and truthfully describe people shameful and sad picture of their life in a dim chaos of bourgeois commonness.” Contents: THE WITCH PEASANT WIVES THE POST THE NEW VILLA DREAMS THE PIPE AGAFYA AT CHRISTMAS TIME GUSEV THE STUDENT IN THE RAVINE THE HUNTSMAN HAPPINESS A MALEFACTOR PEASANTS THE WIFE DIFFICULT PEOPLE THE GRASSHOPPER A DREARY STORY THE PRIVY COUNCILLOR THE MAN IN A CASE GOOSEBERRIES ABOUT LOVE THE LOTTERY TICKET THE DUEL EXCELLENT PEOPLE MIRE NEIGHBOURS AT HOME EXPENSIVE LESSONS THE PRINCESS THE CHEMIST’S WIFE LOVE LIGHTS A STORY WITHOUT AN END MARI D’ELLE A LIVING CHATTEL THE DOCTOR TOO EARLY! THE COSSACK ABORIGINES AN INQUIRY MARTYRS THE LION AND THE SUN A DAUGHTER OF ALBION CHORISTERS NERVES A WORK OF ART A JOKE A COUNTRY COTTAGE A BLUNDER FAT AND THIN THE DEATH OF A GOVERNMENT CLERK A PINK STOCKING AT A SUMMER VILLA THE DARLING ARIADNE POLINKA ANYUTA THE TWO VOLODYAS THE TROUSSEAU THE HELPMATE TALENT AN ARTIST'S STORY THREE YEARS THE PARTY TERROR A WOMAN’S KINGDOM A PROBLEM THE KISS ‘ANNA ON THE NECK’ THE TEACHER OF LITERATURE NOT WANTED TYPHUS A MISFORTUNE A TRIFLE FROM LIFE THE HORSE-STEALERS WARD NO. 6 THE PETCHENYEG A DEAD BODY A HAPPY ENDING THE LOOKING-GLASS OLD AGE DARKNESS THE BEGGAR A STORY WITHOUT A TITLE IN TROUBLE FROST A SLANDER MINDS IN FERMENT GONE ASTRAY AN AVENGER THE JEUNE PREMIER A DEFENCELESS CREATURE AN ENIGMATIC NATURE A HAPPY MAN A TROUBLESOME VISITOR AN ACTOR’S END THE BISHOP THE LETTER EASTER EVE A NIGHTMARE THE MURDER UPROOTED THE STEPPE THE SCHOOLMASTER ENEMIES THE EXAMINING MAGISTRATE BETROTHED FROM THE DIARY OF A VIOLENT-TEMPERED MAN IN THE DARK A PLAY A MYSTERY STRONG IMPRESSIONS DRUNK THE MARSHAL’S WIDOW A BAD BUSINESS IN THE COURT BOOTS JOY LADIES A PECULIAR MAN AT THE BARBER’S AN INADVERTENCE THE ALBUM OH! THE PUBLIC A TRIPPING TONGUE OVERDOING IT THE ORATOR MALINGERERS IN THE GRAVEYARD HUSH! IN AN HOTEL IN A STRANGE LAND
Five Emus to the King of Siam
Western exploitation of other peoples is inseparable from attitudes and practices relating to other species and the extra-human environment generally. Colonial depredations turn on such terms as ‘human’, ‘savage’, ‘civilised’, ‘natural’, ‘progressive’, and on the legitimacies governing apprehension and control of space and landscape. Environmental impacts were reinforced, in patterns of unequal ‘exchange’, by the transport of animals, plants and peoples throughout the European empires, instigating widespread ecosystem change under unequal power regimes (a harbinger of today’s ‘globalization’). This book considers these imperial ‘exchanges’ and charts some contemporary legacies of those inequitable imports and exports, transportations and transmutations. Sheep farming in Australia, transforming the land as it dispossessed the native inhabitants, became a symbol of (new, white) nationhood. The transportation of plants (and animals) into and across the Pacific, even where benign or nostalgic, had widespread environmental effects, despite the hopes of the acclimatisation societies involved, and, by extension, of missionary societies “planting the seeds of Christianity.” In the Caribbean, plantation slavery pushed back the “jungle” (itself an imported word) and erased the indigenous occupants – one example of the righteous, biblically justified cultivation of the wilderness. In Australia, artistic depictions of landscape, often driven by romantic and ‘gothic’ aesthetics, encoded contradictory settler mindsets, and literary representations of colonial Kenya mask the erasure of ecosystems. Chapters on the early twentieth century (in Canada, Kenya, and Queensland) indicate increased awareness of the value of species-preservation, conservation, and disease control. The tension between traditional and ‘Euroscientific’ attitudes towards conservation is revealed in attitudes towards control of the Ganges, while the urge to resource exploitation has produced critical disequilibrium in Papua New Guinea. Broader concerns centering on ecotourism and ecocriticism are treated in further essays summarising how the dominant West has alienated ‘nature’ from human beings through commodification in the service of capitalist ‘progress’.