Greek Praise Poetry And The Rhetoric Of Divinity
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Greek Praise Poetry and the Rhetoric of Divinity
Surveying a large body of Greek (and occasionally Roman) literature, as well as material remains, this volume offers the first systematic study of a central motif in the praise of humans in antiquity, and explores when, how, why, and to what effect humans are compared to gods in the poetry of archaic and classical Greece.
Greek Praise Poetry and the Rhetoric of Divinity
Author: Felix J. Meister
language: en
Publisher: Oxford University Press
Release Date: 2019-11-14
The polar dichotomy between man and god, and the insurmountable gulf between them, are considered a fundamental principle of archaic and classical Greek religion. Greek Praise Poetry and the Rhetoric of Divinity argues that poetry produced between the eighth and the fifth centuries BC does not present such a uniform view of the world, demonstrating instead that particular genres of poetry may assess the distance between humans and gods differently. Discussion focuses on genres where the boundaries appear to be more flexible, with wedding songs, victory odes, and selected passages from tragedy and comedy taken as case studies that illustrate that some human individuals may, in certain situations, be presented as enjoying a state of happiness, a degree of beauty, or an amount of power comparable to that of the gods. A central question throughout is whether these presentations stem from an individual poet's creative ingenuity or from the conventional ideological repertoire of the respective genre, and how this difference might shape the comparison of a human with the gods. Another important question concerns the ritual contexts in which some of these songs would have been performed, expanding the scope of the analysis beyond merely a literary device to encompass a fundamental aspect of archaic and classical Greek culture.
Immaculate Forms
“Never has medical history been more entertaining” (Dr Jennifer Gunter, author of The Vagina Bible) than in this turbulent history of women’s bodies from classical Greece to the modern age Breasts, clitoris, hymen, and womb. Across history, these body parts have told women who they are and what they should do. Although knowledge of each part has changed through time, none of them tells a simple story. The way they work and in some cases even their existence have been debated. They can be seen as powerful or as disgusting, as relevant only to reproduction or as sources of sexual pleasure. In Immaculate Forms, classicist and historian Helen King explores the symbiotic relationship between religion and medicine and their twinned history of gatekeeping over these key organs that have been used to define “woman,” illustrating how conceptions of women’s bodies have owed more to imagination and myth than to observation and science. Throughout history, the way we understand the body has always been debated, and it is still shaped by human intervention and read according to cultural interpretations. Astute and engaging, Immaculate Forms is for everyone who has wondered what history has to say about today’s raging debates over the human body and who is “really” female.