Gottfried Semper


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Gottfried Semper


Gottfried Semper

Author: Harry Francis Mallgrave

language: en

Publisher: Yale University Press

Release Date: 1996-01-01


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Biografie van de Duitse architect en architectuurtheoreticus (1803-1879)

Style in the Technical and Tectonic Arts, Or, Practical Aesthetics


Style in the Technical and Tectonic Arts, Or, Practical Aesthetics

Author: Gottfried Semper

language: en

Publisher: Getty Publications

Release Date: 2004


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The enduring influence of the architect Gottfried Semper (1803-1879) derives primarily from his monumental theoretical foray Der Stil in der technischen und tektonischen Künsten (1860-62), here translated into English for the first time. A richly illustrated survey of the technical arts (textiles, ceramics, carpentry, masonry), Semper's analysis of the preconditions of style forever changed the interpretative context for aesthetics, architecture, and art history. Style, Semper believed, should be governed by historical function, cultural affinities, creative free will, and the innate properties of each medium. Thus, in an ambitious attempt to turn nineteenth-century artistic discussion away from historicism, aestheticism, and materialism, Semper developed in Der Stil a complex picture of stylistic change based on scrutiny of specific objects and a remarkable grasp of cultural variety. Harry Francis Mallgrave's introductory essay offers an account of Semper's life and work, a survey of Der Stil, and a fresh consideration of Semper's landmark study and its lasting significance.

The Four Elements of Architecture and Other Writings


The Four Elements of Architecture and Other Writings

Author: Gottfried Semper

language: en

Publisher: Cambridge University Press

Release Date: 2011-02-17


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Gottfied Semper was the most important German theorist of the nineteenth century. From his first published essay on Greek polychromy in 1834 to his final lecture on the origin of architectural styles in 1869, Semper persistently endeavoured to fashion a comprehensive architectural theory explaining the meaning and transformational nature of architectural form. The breadth and richness of his ideas, both applauded and opposed at the turn of the twentieth century, proved enormously influential in the development of modern theory. Originally published in 1989, this book provides an English translation of a number of Semper's published writings. The introduction seeks to trace the course of Semper's theoretical development over thirty-five years. Semper's ideas, like those of his contemporaries, John Ruskin and Eugene Viollet-le-Duc, had enormous influence on the genesis of modern architectural theory and will appeal to both architectural historians and architects.